The article was promoted by Ian Rose via FACBot ( talk) 11:29, 5 December 2015 [1].
Britomart Redeems Faire Amoret is a somewhat peculiar 19th century history painting. Probably intended as a moral test for male viewers to view a scene of sex, violence and vulnerability without feeling lust, at least one academic considers BRFA as marking the turning point in art history at which nudity ceased to be symbolic of innocence and instead became symbolic of domination and coercion. BRFA is a very odd-looking work to the modern eye, but that's because The Faerie Queene has fallen out of favour in recent years—at the time, Spenser was as popular as Shakespeare in the English-speaking world, and audiences could reasonably be assumed to understand the references without explanation. ‑ iridescent 09:43, 22 October 2015 (UTC) reply
Image review
Support on prose per standard disclaimer. These are my edits. I basically agree with User:John that "a number of" is to be avoided, though my reason is that my data suggests it's ambiguous in writing (but not necessarily when spoken, when you know your listener). I replaced a couple instances with "several"; please fix that if it's wrong. I really look forward to seeing this one at TFA. - Dank ( push to talk) 02:45, 14 November 2015 (UTC) reply
Sources review: All sources appear to be of appropriate quality and reliability. Citations are consistently and correctly formatted. Brianboulton ( talk) 19:22, 1 December 2015 (UTC) reply