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Tas combines modern compositional techniques with more traditional techniques or stylistic idioms such as
tonality,
neo-romanticism or
neo-impressionism. A
cantabile quality is always given pride of place. Within this
polystylistic compositional approach, the
eclectic element also continues to play a crucial role.[3][1]
Selective prizes
Flor Baron Peeters Prize for organ composition (1989)
European AGEC prize (1996) for his choral work Flowers of life[5][6]
International composition competition in Tours first prize (1998) for La chanson d’Eve
Jef Van Hoof Prize (2001) for his Sonata for violin and piano
Representative works
Chamber music: String Quartet in memoriam
Pau Casals (2002)[7]
Vocal music[8][9]: 4 motets for mixed choir (1995)[10];La chanson d’ève, six songs for mixed choir (1997); Magnificat for solo soprano, 3 choir soloists and mixed choir (1998); Miserere for violoncello and mixed choir (1999)[11][12]; Ballet for voices for bariton, mixed choir, piano and flute (2001))[13]; Salve Regina for soprano, violin and mixed choir (2004)[14]
Orchestra: Symphonia da Requiem for soprano, reciter, solo chorus, mixed chorus and orchestra (1989-90)[15]; Silent Tears’ Symphony II for soprano and orchestra (2002-3)[16]