I think that the comments that specifically note the album as "melancholic" are better placed at the bottom of the lead composition section, perhaps in connection to Stringfellow's quote about the lyrical theme[s] of Reveal.
For example, something like: Stipe intended for Reveal to be a "summer record", which Fletcher notes is displayed in song titles such as "I'll Take the Rain", "Beachball", and "Summer Turns to High". Additionally, Stipe utilizes a more relaxed singing style throughout, while Stringfellow has noted a lyrical theme of "personal transformation", as well as "rising, not just from adversity, but your own boundaries and limitations, the little pitfalls and weaknesses that hold you back." Stereogum noted a "wistfullness and melancholia" in contrast between its "theoretically bright images", lorem ipsum dolor sit amet, etc.
Something like that. I don't think much else needs to be added. Sorry, i struggle to explain how i think.
https://www.newslibrary.com ??
https://www.oricon.co.jp/prof/19967/products/438021/1/
https://web.archive.org/web/20030509211857/http://65.108.164.40/soundscape_nov_02.html (amp magazine?)
http://archive.today/2012.07.18-152056/http://www.absolutepunk.net/showthread.php?t=452541 american dream review
https://web.archive.org/web/20080920065234/http://www.metalsucks.net/?p=7177
date of jericho devils review: https://web.archive.org/web/20080905182432/http://altpress.com/apmag/219.htm. as it is noted here: https://web.archive.org/web/20081011144356/http://www.altpress.com/reviews/421.htm
https://web.archive.org/web/20090226185001/http://altpress.com:80/features/195.htm
https://web.archive.org/web/20080811195727/http://www.revolvermag.com/category/blog/web-exclusive-interviews (revolver web ex)
https://web.archive.org/web/20090417232943/http://www.revolvermag.com/archives (select revolver articles archive from december 2006 to september 2008)
https://archive.org/details/mrr_390/page/n11/mode/2up?q=%22walls+of+jericho%22+%22Candace+Kucsulain%22 (ayo sadie switchblade!!)
Morgan: "There was the kind of thing where [Jack Ponti] would point at [Tara McLeod] to play a lick. Just making it up as she went along." paccioco 2007 p13
http://roomthirteen.com/cgi-bin/tour_set.cgi?SetID=3657
https://w-fenec.org/metal/walls-of-jericho,1360,entretien-avec-chris-octobre-2004.html
https://www.bloodchamber.de/interview/376-walls-of-jericho-ein-neuer-traum.html
https://web.archive.org/web/20070626154834/http://www.metalunderground.com/news/details.cfm?newsid=20243 and hope to die def uploaded july 20 2006
unsure abt trigger full og primises
https://web.archive.org/web/20080720145754/http://www.fourteeng.net/wallsofjericho.html
https://web.archive.org/web/20080509124900/http://www.fourteeng.net/Ozzfest2006.html (trugger and hollywood played before rel date)
f_~—_—SCs
Wikipedia:Ownership_of_content#Examples_of_ownership_behaviour
Frequency | Yearly |
---|---|
Circulation | 2,000 (2003) |
Founder | Brent Ritzel |
First issue | Winter/Spring 1998 |
Final issue Number | Fall 2002/Winter 2003 6 |
Website |
zineguide |
Zine Guide was an American ??? directory of zines, published annually from 1997 to 2003. Founded by Brent Ritzel of Tail Spins fanzine as an intended rival to Factsheet Five, which shut down the year after its launch.
A seventh edition was compiled but never released, as financial difficulties forced Ritzel into Chapter 7 Bankruptcy in January 2005.
https://archive.org/details/zine_world_22/page/n11/mode/2up?q=Brent+Ritzel
Unbeknownst to him, Factsheet Five would cease publication after its 65th issue in May 1998. It filed for bankruptcy in March 2005. (proquest ID 420294359)
referenced by washing post in 2004: proquest id 409689140
also washing post 2002:PQID 409447588
https://archive.org/details/diyriseofloficul0000spen/page/30/mode/2up?q=%22zine+guide%22
vancouver sun 242455990
utne reader 217438311
https://lollipopmagazine.com/1998/09/zine-guide-1-review/
https://archive.org/details/punk_planet_55/page/n73/mode/2up?q=%22zine+guide%22
https://archive.org/details/zine_guide_1/page/n51/mode/2up?q=outburn
https://web.archive.org/web/20030408232110/http://www.zineguide.net/interviews.html
https://web.archive.org/web/20030428002136/http://www.citypaper.com/2001-02-21/zine.html
https://chicagoreader.com/arts-culture/local-lit-self-publishers-get-their-acts-together/
https://archive.org/details/punk_planet_31/page/n133/mode/2up?q=%22zine+guide%22
https://web.archive.org/web/20030425000914/http://www.philadelphiaweekly.com/article.asp?ArtID=4773
https://archive.org/details/punk_planet_42/page/n129/mode/2up?q=%22zine+guide%22
https://archive.org/details/mrr_179/page/n51/mode/2up?q=%22zine+guide%22
https://archive.org/details/jersey_beat_61/page/n23/mode/2up?q=%22zine+guide%22
https://archive.org/details/zine_world_22/page/n11/mode/2up?q=Brent+Ritzel
House of Protection | |
---|---|
Origin | Los Angeles, California, U.S. |
Years active | 2023–present |
Labels | Red Bull |
Spinoff of | Fever 333 |
Members |
|
Website |
houseofprotectionmusic |
House of Protection is an American rock band, publicly established by guitarist Stephen Harrison and drummer Aric Importa in April 2024.
House of Protection was formed by guitarist Stephen Harrison and drummer Aric Importa, both formerly of Fever 333. They both decided to leave Fever 333 in October 2022 due to creative differences.
after both of them decided to leave due to creative differences. The band's name is a reference to the Massive Attack album
Protection (1994).
https://www.redbull.com/us-en/house-of-protection-aric-improta-stephen-harrison
With Devils Amongst Us All | ||||
---|---|---|---|---|
Studio album by | ||||
Released | August 22, 2006 | |||
Recorded | March–April 2006 | |||
Studio | Spider ( Cleveland) | |||
Genre | ||||
Length | 35:01 | |||
Label | Trustkill | |||
Producer | Ben Schiegel | |||
Walls of Jericho chronology | ||||
| ||||
Singles from With Devils Amongst Us All | ||||
With Devils Amongst Us All is the third studio album by American metalcore band Walls of Jericho, released on August 22, 2006, by Trustkill Records. Recorded at Spider Studios in Cleveland with producer Ben Schiegel, it was the first album the band recorded with an outside producer, as well as their first with drummer Dustin Schoenhofer. Blending together elements of metalcore, thrash metal and hardcore (punk?), the album saw the band expand be
lyrics
With Devils Amongst Us All received generally positive reviews from critics.
The album sold 2,800 copies in its first week to debut at number 24 on the Billboard Heatseekers Albums Chart. To promote the album, Walls of Jericho filmed a music video for "A Trigger Full of Promises". The song was also included in MTV Headbanger's Ball compilation, MTV2 Headbanger's Ball: The Revenge, released through Roadrunner Records. The band also participated in the Ozzfest tour, the Trustkill Takeover Tour, and the Family Values Tour 2006.
After touring in support of their previous album All Hail the Dead (2004), Walls of Jericho began writing new material in December 2005, and spent four or five months writing With Devils Amongst Us All. [3] Vocalist Candace Kucsulain noted that in contrast to All Hail the Dead, which was written and recorded within four months following their 2003 reformation, the band had more time to write material and had gathered ideas for the album for more than two years, in additon to its members having a better understanding of each other. [3] [4] She also cited the addition of drummer Dustin Schoenhofer, who joined Walls of Jericho in November 2004, [5] as an influence on the band's new songs with his playing style. [3] Aware that they would be subject to more scrutiny following their last album, the band spent more time arranging their material—often arduousy—which carried over into recording. [6] "There were times when Chris [Rawson], our guitar player, was like: 'Holy shit! This doesn't work. This is no good. I don't know what to do! And then we worked on some things, changed little things here and there, but it was a lot of pressure", Kucsulain said. [7] According to guitarist Mike Hasty, they structured their songs with the aim of "[shifting] things around" when they got into the studio, though in the end "not that much actually got changed." [8]
At the start of March 2006, they travelled to Spider Studios in Cleveland, Ohio to record the album with producer and former Switched frontman Ben Schiegel. [4] [9] Recording lasted six weeks. [8] Having previously recorded their albums through Hasty, the band decided to seek an outside producer to stop them from "[writing] the same thing over and over again" and help establish their own sound; [10] they were connected to Schiegel through their shared manager, Paul Bassman. [11] Kucsulain said that Walls of Jericho did not want Schiegel to "be the kind of [producer] who would come in and try to take control over everything or try to write things or change our sound", and as such his input was limited to specifically requested areas, or whenever he "saw something that needed to be changed". [12] She nevertheless felt that he helped develop the dynamics and structures of their songs, [13] which "definitely helped" on certain songs such as "No Saving Me". [12] In early April 2006, Hasty and Schoenhofer travelled to New Jersey to begin mixing the album at Trax East with Eric Rachel whilst Rawson and Kucsulain "finished up some vocal stuff". [14] It was completed on April 24, 2006. [15]
With Devils Amongst Us All has been described as metalcore,(popmatters)(metalde)(rr press)(punk planet), thrash metal.(popmatters)(ox fanzine)(metalde), and hardcore punk.(dis) (just hardcore???) It showcases an fast, heavy and aggressive sound(popmatters) featuring precise drumming,(dis) hardcore breakdowns,(DIS) and an (greater?) emphasis on melodic qualities,(popmatters) seen most prominently in "The Haunted" and "No Saving Me",(lautde and metalde) and on hooks/choruses (interchangeable with hooks or no?) The intensity and speed of several tracks drew frequent comparisons to Slayer.(punk planet, popmatters (deadwalkagain) and metalde, metal hammer (tryfailrepeat) ) Candace Kucsulain's vocals range from screams growls and melodic singing.
The album overall has a more positive lyrical outlook than All Hail the Dead, (lyrics more positive???)
The album's lyrics are again based on personal things, though it bears a more positive outlook.
address various social issues. [10] Whilst still based on personal things more positive (find citiations) and direct than on the band's previous albums. [16]
Other themes addressed include
learning from past mistakes ("Try.Fail.Repeat")(metal edge 07)
"A Trigger Full of Promises" is about finding the person you love, and conquering what stops you from being with that person. [16] According to Decibel, "I Know Hollywood and You Ain’t It" showcases crust-punk interpreted "as a dance-y, layered stomp-fest". [17] "And Hope To Die" is about the suicides of people who were friends with Walls of Jericho. [16] "The Haunted" begins with "eerie, melancholic chanting" and features a melodic chorus,(popmatters, metalde) whilst lyrically adressing the subject of rape and the need for greater awareness of it. [10] [18] Kucsulain found the song "weird" due to its catchiness, but believed that "if you want people to listen to the message, you have to sugarcoat the package". [10] "No Saving Me" is a rock ballad about feeling "totally alienated from the real world" whilst the band was on tour, [3] and is musically similar (A COMBINATION? Metal rage) to their previous songs "To Be Contined..." from All Hail the Dead (2004) and "Angel" from The Bound Feed the Gagged (1999).(CITENEED) (fourteeng?) It was the first song on the album the band completed music for, [8] but the last to have its vocals recorded. [16] "Welcome Home" is about domestic violence.(popmatters)
album title revealed wheN????????
According to Kucsulain, the album's title "represents evil in everyday life". [3]
On March 29, 2006, Headbangers ball compilation
filmed their first music video,
On May 28, 2007, the band filmed a music video for "A Trigger Full of Promises", which Kucsulain described as the band's "first real video", [11] inside an old farmhouse in Pennyslvania. Directed by Dale Restigini and scripted by Dustin Schoenhofer, the video reflects the song's lyrics.
The initial idea was to combine a 'Romeo and Juliet' storyline with METALLICA's 'Unforgiven' video." The song is about the idea of love and the video portrays lovers who are separated by a prison wall, who give up their health, well-being and ultimately their lives, to reach one another. (blabbermouth)
Album released on August 22, 2006
From May 12 to May 28, 2006, Walls of Jericho toured the United States and Canada as part of Trustkill Records package tour Trustkill Takeover, headlined by Bullet for My Valentine. [19] The band said they would perform four or five new songs during the tour. [19] On the last day of the tour,
https://web.archive.org/web/20060915231547/http://www.trustkillshows.com/shows/search_shows.php?band_id=534 (OFFICIAL TOUR LIST)
With Devils Amongst Us All received generally positive reviews from critics. Alternative Press gave the album a perfect score, stating that it showed Walls of Jericho had reached "the height of their powers [...], and are completely worthy of the world’s attention." Raziq Rauf of Drowned in Sound r
Ox-Fanzine's Tobias Ernst found it "more well-rounded and the consistently high level" than All Hail the Dead.
Chay Lawrence of Punk Planet was less enthusiastic, finding its songwriting formularic but praising its production. Though acknowleding that it was "not groundbreaking music", Adrien Begrand of PopMatters felt that the overall "convincing, sincere approach" of the album made it "likeable enough to warrant an enthusiastic recommendation over the usual crop of cookie-cutter [metal] bands".
Ingo of Metal.de , but felt that Kucsulain's vocals would appeal more to metalcore fans than thrash metal fans.??
The inclusion of "No Saving Me" suprised and divided many reviewers. [7] Kerrang! called the song the album's "only real dissapointment", feeling that it was "superfluous" when considering the "impressive carnage surrounding it". Ingo of Metal.de reccommended listeners to skip the track as it did not fit in with the rest of the album. Mike Kemp of Rock Sound considered the song's inclusion "so far out of character that it sticks out like a penguin in the Sahara." Rauf (DIS) was more favorable, stating that it helped break up Kucsulain's "relentless and slightly tiresome [vocal] cacophony" and suggested that it may "be a taster of much more melodic things to come." Begrand (PM) praised Kucsulain's range on the song's as well as its genuinity, and implored the band to "explore this territory more in the future, and not let this song be just a one-off". In a 2007 interview with AllSchools, Kucsulain stated that Walls of Jericho were not "afraid of the controversy ["No Saving Me"] might cause" and told reviewers who did not understand the song to listen to listen to the band's previous albums, "Because every single record we have done I have once sang." [7]
Redemption | ||||
---|---|---|---|---|
EP by | ||||
Released | April 29, 2008 | |||
Recorded | October 2007 | |||
Studio | 2X4 ( Des Moines) | |||
Genre | Acoustic rock | |||
Length | 22:24 | |||
Label | Trustkill | |||
Producer |
| |||
Walls of Jericho chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Metal Storm | 8.0/10 [20] |
Ox-Fanzine | 7/10 [21] |
PopMatters | 7/10 [22] |
Rock Hard | 7/10 [23] |
Redemption is the third extended play by American metalcore band Walls of Jericho, released on April 29, 2008, through Trustkill Records. Produced by Slipknot and Stone Sour vocalist Corey Taylor, the band recorded the EP in October 2007 at 2x4 Studios in Des Moines, Iowa. [24] [25]
its direction proved controversial with the band's fanbase. [26]
https://neckbreaker.de/de/interviews/2453-interview-mit-candace-kucsulain-walls-of-jericho
https://www.ox-fanzine.de/interview/walls-of-jericho-3321
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ember Drive" | Walls of Jericho | 4:22 |
2. | "My Last Stand" | Walls of Jericho | 4:43 |
3. | "No Saving Me" | Walls of Jericho | 4:08 |
4. | " House of the Rising Sun" | Traditional | 4:10 |
5. | "Addicted" |
| 4:59 |
Total length: | 22:24 |
Adapted from liner notes. [27]
Walls of Jericho
Additional personnel
Production
Artwork
Chart (2008) | Peak position |
---|---|
US Heatseeker Albums ( Billboard) [28] | 49 |
"Schoenhofer got the call to join Walls of Jericho the day before Thanksgiving in 2004".
{{
cite web}}
: CS1 maint: unfit URL (
link)
https://www.reddit.com/r/numetal/comments/1dqkz0w/comment/laq13yu/ https://blabbermouth.net/news/kitties-morgan-lander-maybe-we-were-just-a-little-bit-ahead-of-our-time
https://www.reddit.com/r/numetal/comments/1dqkz0w/comment/laqn92j/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button (the end of origins evolutions was unreleased material for scrapped third eone record)
https://web.archive.org/web/20080708184548/http://www.fourteeng.net/CrisisInterview.html
USE MDY DATES
GET MATERIAL FROM GERMAN WIKI ARTICLE https://de.wikipedia.org/wiki/Crisis_(Metal-Band)
Crisis | |
---|---|
Also known as | Skullsick Nation (2001–2002) |
Origin | New York City, U.S. |
Genres | |
Years active | 1993–2006 |
Labels |
|
Past members |
|
Crisis was an American metal band from New York City.
In 2000, Crisis relocated to Los Angeles. Changes within the band's lineup and songwriting led the band to change their name to Skullsick Nation in late 2001, though they reverting back to their original name in 2002.
The band signed with The End Records to release their fourth and final album Like Sheep Led to Slaughter (2004)
s and began recorded and performed as , before . The band has been on an indefinite hiatus since 2006.
Crisis was formed in New York City by guitarist Afzaal Nasiruddeen.
Karyn Crisis auditioned. the vocal style came there and then/
The band's original bassist protested the additon of Karyn to Crisis and quit the band because he did not want to play with a woman. [1] "He was just a male chauvinist pig. He was a typical guy. He wanted to be in a rock 'n' roll band with, you know, sex, drugs, and rock 'n' roll," Nasiruddeen later said. [1]
https://deadrhetoric.com/features/karyn-crisis-gospels-of-the-witch-part-i/
https://deadrhetoric.com/features/karyn-crisis-gospels-of-the-witch-part-ii/ (not relevant)
quit the band
In 1995, Crisis were signed to Metal Blade Records by Marco Barberi, founder of Century Media Records.(metalupdate) (need specs for that 1995 tho)
https://web.archive.org/web/19970422003941/http://www.iuma.com/Metal_Blade/Crisis/ deathshead press kit In 1996, Fred Waring III left the band to focus on his family
the band then toured with Roy Mayorga, and then recruited Scott Bates. (who went before the hollowing)
The Hollowing was recorded with four session drummers, including Waring, Roy Mayorga, Chris Hamilton and
https://www.discogs.com/release/1185817-Crisis-The-Hollowing/image/SW1hZ2U6OTE0MTQxMzY= hollowing credits
Before the album's release, Crisis and Metal Blade agreed to part ways.
https://web.archive.org/web/20000226205810/http://metalblade.iuma.com/bands/Crisis/crisis_press.html (critics about deathhead)
https://web.archive.org/web/20001026123851/http://metalblade.iuma.com/bands/Crisis/p1.html
https://web.archive.org/web/19970728215547/http://www.brainlink.com/~ragnarok/press.html (fansite has interview from magazine)
https://web.archive.org/web/19970425042002/http://www.iuma.com/Metal_Blade/New-MetalBlade/tours/Crisis-dates.html tour dates per metal blade
metal update. hobson was in by dec 1998, tony around that point too ig. 1999
something about relocating to Los Angeles.
In early 2001, Costanza left Crisis to join Crowbar. Crisis had recruited a new drummer by March 2001, but did not want to reveal his identity as
"just
In December 2001, Crisis announced that they had recruited drummer Christopher J. Olivas and changed their name to Skullsick Nation.
[2] Hobson said that the name change was due to Crisis having "gone through so many changes over the last four years since The Hollowing that it feels like a completely new band".
[3] Similarly, Karyn Crisis said that the band had been demoing and experimenting with new sounds that "did not sound like Crisis".
[4] The band's first show under the moniker took place at the Troubador in Hollywood on January 4, 2002.
[2]
CMJ described the Dead to the World demo as sounding "more like a rock n roll band with stoner riffing" (sept 23 2002)
Crisis offfically returned in October 2002.
https://web.archive.org/web/20030618161121/http://www.crisissite.com:80/news.htmIn December 2002, Crisis recruited ex- Today is the Day drummer Marshall Killpatric, [5] and in March announced plans for a new album. [6] Less than a month later, however, Killpatric stopped attending the band for unclear reasons and they were forced to seek a replacement. [7] By May 2003, they had recruited Josh Florian.
https://bravewords.com/news/crisis-ink-deal-with-the-end-records
https://blabbermouth.net/news/crisis-sign-with-the-end-records
Crisis drummer Josh Florian bust his appendix before the Kittie/Otep/Crisis Metal Movement Tour,
On September 25, 2004, Florian " bust his appendix", preventing him from going on tour. [9] Tino LoSicco quickly filled in for initial dates, [9] though Fred Waring III returned to play most of the dates of the Metal Movement Tour whilst Crisis searched for a new drummer. [10] By January 2005,(sharpe young 2005) they had recruited drummer Ryan Ball, though the band dismissed him after only three rehearsals in February 2005. [11] Crisis said that Bird was let go from the band due to immigration issues and "the chaos of his personality". [11] Two weeks after his departure Bird was arrested for armed robbery, prompting Crisis to release a statement on the matter whilst denying that he was a permanent member. [11] Justin Arman was subsequenly recruited as their new drummer, initially for touring purposes. He became an official member in April 2005. [12]
subsequently returned to for the tour whilst they;
and Fred Waring III temporarily returned to the band. also meant that the band focused on older material (find concert reviews)
In September 2005, longtime bassist Gia Chuan Wang left Crisis due to family committments; he was replaced by Nick Weitzel for the band's tour with Exodus as they sought a permanent replacement. [13]
On May 2, 2006, Crisis announced they were going on an indefinite hiatus to allow its members to focus on their personal lives as well as other musical interests. The band thanked , and expressed interest in working with The End on another album if the band considered releasing another album. [14]
(some post-2006 interviews hint that Karyn quit the band; unknown. one (wordpress = nono) says late 2005)
On October 20, 2023, 8 Convulsions was remastered and reissued on CD and vinyl by Svart Records. [15]
GET MATERIAL FROM GERMAN WIKI ARTICLE
The End Records described the band as "Experimental metalcore". (bands page)
According to Eduardo Rivadavia of AllMusic, the band fills the gap between Faith No More, Killing Joke and Slayer. Karyn Crisis' vocals range from melodic clean vocals to aggressive, guttural vocals. Canadian journalist Martin Popoff described the album Deathshead Extermination as a mixture of thrash and death metal, with Swedish grindcore. Lyrically, the songs mostly deal with dark themes, such as blood, hatred, depression and self-hatred. Robert Müller of Metal Hammer compared Karyn Crisis' vocals on the album to Lydia Lunch and Babes in Toyland. On The Hollowing, according to Popoff, the influences from sludge increased, so that the band could be compared to newer works by Voivod. Growling is used as a vocal technique in half of the songs . The lyrics are again negative. The November 1997 issue of Metal Hammer described the album as a mixture of " industrial , death metal and noise avant-garde " . Manuela Liefländer, in his review of the album Like Sheep Led to Slaughter, classified the band as hardcore punk . He described the lyrics as apocalyptic , while the vocals were experimental, reminiscent of dark metal in their variety .
Guitarist Afzaal Nasiruddeen cited New Wave of British Heavy Metal bands as well as post-industrial bands such as Einstürzende Neubauten as influences. He and the rest of the band tried to implement the avant-garde elements of this band in particular. [16]
crisis mentioned in this article:
[1]
Final lineup
Touring members
Past members
Timeline
https://web.archive.org/web/19970728215612/http://www.brainlink.com/~ragnarok/members.html information on members, hmmmmm. um.
Studio albums
Title | EP details |
---|---|
8 Convulsions | |
Deathshead Extermination |
|
The Hollowing |
|
Like Sheep Led to Slaughter |
|
https://web.archive.org/web/19980627052903/http://www.teufelstomb.com/suffocation/news.html (offical suffocation website circa despise the sun)
https://web.archive.org/web/19981202044811/http://ubl.com/ubl/cards/001/2/86.html (cathedral ubl)
https://web.archive.org/web/19990428023056/http://www.ubl.com/ubl/cards/005/9/83.html (crisis ubl)
https://digistar.mb.ca/homepg/ecrookes/crisis.html (fansite which is still live, wild) https://bravewords.com/news/crisis-frontwoman-keeping-busy-while-band-on-hiatus
https://bravewords.com/reviews/crisis-like-sheep-led-to-slaughter
https://blabbermouth.net/news/crisis-like-sheep-led-to-slaughter-track-listing-revealed
https://lollipopmagazine.com/1996/03/crisis-deathshead-extermination-karyn-crisis-interview/
https://lollipopmagazine.com/1996/03/crisis-deathshead-extermination-afzaal-nasiruddeen-interview/
https://lollipopmagazine.com/2005/02/crisis-like-sheep-led-to-slaughter-interview/
https://www.metalinside.de/interview/crisis
https://www.metalmaidens.com/crisis.htm
https://www.decibelmagazine.com/2021/07/20/video-premiere-interview-eyes-of-perdition-when-deeply-ingrained-traumas-spill-forth-like-maggots-in-carrion/ (deathshead/karyn influenced eyes of peredition)
http://www.metalupdate.com/interviewcrisis.html
http://www.chroniclesofchaos.com/articles.aspx?id=2-561
http://www.chroniclesofchaos.com/articles.aspx?id=1-35
collectors guide to metal vol 3
https://blabbermouth.net/news/crisis-live-version-of-study-in-cancer-available-for-free-download
https://blabbermouth.net/news/crisis-putting-the-finishing-touches-to-their-new-album
https://blabbermouth.net/news/crisis-eyes-of-fire-members-join-forces-in-the-angels-whispered-danger
https://blabbermouth.net/news/crisis-waking-the-dead-video-posted-online
https://blabbermouth.net/news/crisis-complete-work-on-waking-the-dead-video
https://blabbermouth.net/news/crisis-cancel-plans-for-3-inches-of-blood-tour
https://blabbermouth.net/news/crisis-frontwoman-says-next-album-will-include-dimebag-inspired-jam
https://blabbermouth.net/news/crisis-cancel-fury-fest-appearance
https://blabbermouth.net/news/crisis-to-film-video-for-blood-burden
https://blabbermouth.net/news/crisis-announce-east-coast-dates
https://blabbermouth.net/news/crisis-announce-upcoming-gigs
https://blabbermouth.net/news/crisis-cancel-tempe-show
https://blabbermouth.net/news/crisis-looking-for-new-drummer
https://blabbermouth.net/news/crisis-add-ex-today-is-the-day-drummer-prepare-to-record
# https://blabbermouth.net/news/crisis-to-film-video-for-blood-burden
https://blabbermouth.net/news/crisis-blood-burden-video-to-premiere-on-headbanger-s-ball
https://blabbermouth.net/news/crisis-urgently-seek-drummer-for-kittie-otep-tour https://loudwire.com/top-hard-rock-metal-frontwomen-of-all-time/ (top frontwomen: deathshead)
https://blabbermouth.net/news/archive-news-apr-17-2001
https://metalstorm.net/pub/review.php?review_id=1666
https://www.allmusic.com/artist/crisis-mn0000134345
https://blabbermouth.net/news/skullsick-nation-complete-work-on-dead-to-the-world ( https://www.discogs.com/release/6547329-Skullsick-Nation-Dead-To-The-World)
https://archive.org/details/amp_11/page/n65/mode/2up?q=crisis
http://www.metalupdate.com/interviewcenturymedia.html (signed to metal blade by Marco Barberi, founder of Century Media Records.)
https://blabbermouth.net/news/crisis-split-with-drummer-seek-replacement
https://blabbermouth.net/news/skullsick-nation-more-live-appearances-announced
https://archive.org/details/punk_planet_5/page/n59/mode/2up?q=crisis+%228+convulsions%22
https://archive.org/details/redcdcatalogue0000unse/page/154/mode/2up?q=crisis+%228+convulsions%22 (8 convulsions: jan 95??)
https://archive.org/details/very_1995.12_catalog/page/11/mode/2up?q=crisis+%228+convulsions%22
https://archive.org/details/suburban_voice_36/page/n53/mode/2up?q=crisis+%228+convulsions%22
https://archive.org/details/musicmastercatal0001matt/page/n247/mode/2up?q=crisis+convulsions+%22too+damn+hype%22 (again: 8 convulsions jan 1995)
https://archive.org/details/Megaton1_349/page/n9/mode/2up?q=crisis+%22deathshead+extermination%22
https://web.archive.org/web/19970425035227/http://www.iuma.com/Metal_Blade/Crisis/DHlyrics.html
https://bravewords.com/news/crisis-ink-deal-with-the-end-records
https://www.inmusicwetrust.com/articles/66k03.html
https://academicworks.cuny.edu/cgi/viewcontent.cgi?article=1134&context=hc_sas_etds
https://www.metal.de/reviews/crisis-like-sheep-led-to-slaughter-4458/
https://www.rockhard.de/reviews/crisis-deathshead-extermination
https://www.rockhard.de/reviews/crisis-the-hollowing
https://rockhard.de/reviews/crisis-like-sheep-led-to-slaughter
https://www.slugmag.com/music/national-music-reviews/review-crisis-like-sheep-led-to-slaughter/
https://archive.org/details/metallusillibrod0000unse/mode/2up?q=%22crisis%22+%22Gia+Chuan+Wang%22 (????????)
kerrang 587, p. 45. 2ks for deathshead
https://web.archive.org/web/20051104045224/http://www.antimusic.com/morley/05/crisis.shtml (date approx. https://blabbermouth.net/news/crisis-frontwoman-says-next-album-will-include-dimebag-inspired-jam)
https://web.archive.org/web/20020602112751/http://www.skullsicknation.com/main_fr.htm (skullsick nation website)
https://web.archive.org/web/19970723234808/http://www.brainlink.com/~ragnarok/crisis.html
https://archive.org/details/slug_ut_106/page/n29/mode/2up?q=%22karyn+crisis%22+%22Jason+Bittner%22 (slug mag; hollowinG)
https://web.archive.org/web/20051026223424/http://www.thehvscene.com/interviewtext.php?id=138
https://web.archive.org/web/20041026180735/http://label.theendrecords.com/html/band/crisis.html (use this one for the band photo, maybe???)
https://web.archive.org/web/20060220145928/http://peacedogman.com/crisintie.htm
https://web.archive.org/web/20051017220347/http://www.pivotalrage.com/webzine/interviews/crisis.htm
https://web.archive.org/web/20060219101302/http://www.crisissite.com:80/news.php
https://web.archive.org/web/20040907082146/www.abrasiverock.com/interviews/crisis07-01-04.php
https://web.archive.org/web/20060716232618/http://www.crisisfan.com/Articles.html
https://web.archive.org/web/20001025084302/http://www.deesnider.com/mags/bottomln.html (crisis/dee snider connection)
https://web.archive.org/web/20030804061121/http://www.epimag.com/CRISIS.html
https://web.archive.org/web/19981207051113/http://members.aol.com/Leech97/koffin101.html (october 7, 1996. apparently in 2 parts)
https://web.archive.org/web/20030611074912/http://bushmado.com/crisisinterview.html
https://web.archive.org/web/20060526135908/http://www.metalupdate.com/interviewcrisis.html
https://web.archive.org/web/20060720111231/http://www.crisisfan.com/MoreThanDown2.html (only 2 pages, makes me so fuckin angryyyy)
https://web.archive.org/web/20031029110146/http://www.crisisfanatic.com/inter/
https://web.archive.org/web/20030930101136/http://www.crisisfanatic.com/inter/5.php
https://web.archive.org/web/20010331202543/http://impure.org/sophie/coolmain.html
https://web.archive.org/web/20010303194546/http://impure.org:80/sophie/crisislinks.html
https://web.archive.org/web/20070516083057/http://www.mtv.com/news/articles/1530241/20060504/arch_enemy.jhtml (covers crisis hiatus; briefly.)
https://www.worldradiohistory.com/Archive-All-Music/CMJ/1996/CMJ-New-Music-Report-1996-06-17.pdf I AM JUST AN OUTLINE of a graphic novel that i dont think was completed
https://www.gbhbl.com/bloodstock-2022-band-feature-heriot/
https://www.altpress.com/demi-lovato-holy-fvck-interview/ (demi is a kittie fan)
https://www.loudersound.com/news/caroline-polachek-loves-kittie ( Carloine Polachek is also a fan)
https://www.thepitchkc.com/cat-powers/
https://www.westword.com/music/good-girls-do-5065433
https://www.clevescene.com/news/next-level-1520486
https://www.phoenixnewtimes.com/music/kittie-and-walls-of-jericho-6403732
https://www.phoenixnewtimes.com/music/dude-raunch-6416007
https://noisecreep.com/five-albums-that-changed-my-life-morgan-lander-of-kittie/
https://www.ocweekly.com/the-10-best-canadian-metal-bands-7041452/
https://www.ocweekly.com/10-underappreciated-female-musicians-6605351/
https://www.ultimate-guitar.com/news/interviews/kittie_female_rockers_learned_to_have_no_boundaries.html (2007 kittie interview)
https://highonscore.com/groupies-and-guitarists-women-and-heavy-metal/ (try investigate metal: a headbangers journey)
metal a headbangers journey circa 3:00 this video part https://www.youtube.com/watch?v=RYUL19qWgIc
https://www.drumeo.com/beat/quick-guide-to-female-drummers/
https://researchspace.bathspa.ac.uk/2915/1/2915.pdf
https://www.invisibleoranges.com/thats-when-i-became-a-metalhead-ii-kim-kelly/ (????) kim kelly
https://books.google.co.uk/books?id=y4-kDAAAQBAJ&pg=PT279&lpg=PT279&dq=kittie+sexism+in+metal&source=bl&ots=Vms8ylTkpi&sig=ACfU3U2iOn7oNIgrxhbf7PRaRumhEp_qpg&hl=en&sa=X&ved=2ahUKEwjog6XyxPSGAxWiTkEAHX81AYY4HhDoAXoECAIQAw#v=onepage&q=kittie%20sexism%20in%20metal&f=false (comment on revolver hottest chicks , and women in magazines in general. book is called: Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches)
https://www.phoenixnewtimes.com/music/how-three-metal-frontwomen-made-me-wonder-if-im-sexist-8411736
https://www.loudersound.com/features/will-female-fronted-metal-finally-die-in-2020
https://www-newspapers-com.wikipedialibrary.idm.oclc.org/image/207715401/?match=1&terms=%22coal%20chamber%22%20%22rayna%20foss%22 https://www-newspapers-com.wikipedialibrary.idm.oclc.org/image/229444590/?match=1&terms=%22coal%20chamber%22%20%22rayna%20foss%22
Never Again | ||||
---|---|---|---|---|
EP by | ||||
Released | February 7, 2006 | |||
Recorded | 2005 | |||
Studio | Mole ( London, Ontario) | |||
Length | 9:44 13:24 ( iTunes) | |||
Label | Rock Ridge Music | |||
Producer | Kittie | |||
Kittie chronology | ||||
|
Never Again is the third extended play by Canadian heavy metal band Kittie, released exclusively on digital storefronts on February 7, 2006, through Rock Ridge Music. The EP contains four demos of "Never Again", "This Too Shall Pass", "Breathe", and "Everything That Could Have Been", the latter an iTunes exclusive track. All four songs were later re-recorded for Kittie's fourth album Funeral For Yesterday (2007). The EP was recorded by vocalist/guitarist Morgan Lander and drummer Mercedes Lander at Mole Studios in Kittie's hometown of London, Ontario. After guitarist Tara McLeod and bassist Trish Doan joined the band in August 2005, they had McLeod add some guitar leads to its songs.
Never Again was praised by critics. Kittie supported on the Never Again Tour across America for two months, allowing the band to develop their songs along the way before recording them in the summer of 2006.
(westword considered it) "qualifies as its most commercial recording thus far". (the band's most accessible release yet.)
The EP was written in the aftermath of their departure from Artemis Records in March 2005.
"about trying to ressurect the band." treating the band like a person. like relationship songs, but the band,
freedom element, similar to the past.
YES THE BAND RECORDED AT MOLE STUDIOS IN CANADA: IS CONFIRMED event occurs circa 4:00
there was more extensive demoing than before. circa 5:30
At the end of April 2005, they entered Mole Studios in their hometown of London, Ontario to record five demo tracks. [1] [2] Kittie self-produced the recordings themselves, with Mole Studios owner Ryner providing engineering support.(CITENEED) After recruiting guitarist Tara McLeod and bassist Trish Doan in August 2005, Morgan and Mercedes had McLeod add some guitar leads to the EP's songs. [3]
proquest IDs:439035973, 331630928, 268286811, 439038384 played their first concert together on September 29, 2005. McLeod and Doan had to learn their parts quickly as they were scheduled to enter the studio to record in December of that year. (revolver) recorded in December 2005? (if revolver has anything to do with it)
rock ridge music approached the band about releasing the EP; the band knew ex-artemis records personnel. no waiting times. (ortiz 2006, p. 2) the band said it was purely a fan release.
EP was recorded before tara and trish joined. tara was then brought in to record some guitar leads. so no trish.
On December 20, 2005, Kittie announced that they would be releasing the Never Again EP in February 7, 2006, exclusively on digital storefronts. [4] Morgan said that the band's decision to forgo releasing the EP on physical media was more down to convenience and time, as they wanted their fanbase to know that the band were "still writing, still kicking ass and not on Artemis". [5]
like for weeks leading up to its release the band put out samples on their myspace page or somthing in january.
Retailing for $3.96, it reached the top 20 of the iTunes Top 50 chart, and remained on the chart for three weeks. (lansig st jrnal) The EP was streamed in its entirety on
AOL Music's listening party page for a week after its release.
[6]
The day after its release, the EP debuted at number 20 on the iTunes Top Rock Downloads Chart. [8]
On February 4, 2006, Kittie played at WRIF's Pre- Superbowl Bash at TNT's in Detroit, Michigan. [9] From March 31 to June 17, 2006, the band embarked on its first tour in over a year, the Never Again tour, across the United States. [10] [11] Across its dates, the band were supported by The Agony Scene, Bloodlined Calligraphy, Burning Armada, Byzantine, Calico System, Dead to Fall, Donnybrook, Drop Dead Gorgeous, Five Bolt Main, Jacknife, Job for a Cowboy, Naos Project, On Broken Wings, Seemless, Twelve Tribes and The Warriors. [11] [12] The band played all four of the EP's songs on the tour, alongside some newer tracks such as "Summer Dies" and
The band finished writing and arranging their songs after the tour, [13] before entering the studio to record Funeral for Yesterday with producer Jack Ponti in July 2006. [14]
https://news.pollstar.com/2006/02/17/never-again/
https://www.knac.com/article.asp?ArticleID=4572
https://www.metalunderground.com/news/details.cfm?newsid=18705
Never Again received generally positive reviews from critics. Andrew Parks of Decibel gave the EP an 8 out of 10, saying it "props 2006 as a promising year for the quartet". [15] [16] Westword praised it as "a hard, heavy and hooky combination of singing and caterwauling". [17]
All tracks are written by Morgan and Mercedes Lander.
No. | Title | Length |
---|---|---|
1. | "Never Again" | 3:32 |
2. | "This Too Shall Pass" | 3:05 |
3. | "Breathe" | 3:07 |
Total length: | 9:44 |
No. | Title | Length |
---|---|---|
4. | "Everything That Could Have Been" | 3:40 |
Total length: | 13:24 |
Personnel per interviews with Heavy Metal Resource and heavymetal.about.com. [3]
Kittie
Production
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https://web.archive.org/web/20060314133828/http://www.peta2.com/OUTTHERE/AllFeatures.asp
the least likely place to find a fuck load of artist interviews: peta
CLT DRP | |
---|---|
Origin | Brighton, England |
Genres | |
Years active | 2017–present |
Labels |
|
Members |
|
Website |
cltdrp |
CLT DRP (pronounced "clit drip") are a British (what?) band. The band was formed in 2019? in Brighton
DORRETT USES THEY THEM PRONOUNS
CLT DRP was formed in 2019 by , whom all met at the University of Brighton.
e
e
https://www.allmusic.com/artist/clt-drp-mn0003919225
https://www.bimm.ac.uk/alumni/clt-drp/
https://loudwomen.org/2021/06/01/clt-drp-interview-and-exclusive-photos/
https://echoesanddust.com/2023/09/clt-drp-at-arctangent-2023/
https://www.soundspheremag.com/features/interview-clt-drp/
https://www.bn1magazine.co.uk/interview-brightons-electro-punk-powerhouse-trio-clt-drp/
https://maximumvolumemusic.com/band-of-the-day-clt-drp/
https://deadgoodmusic.blog/clt-drp-interview-new-album/
https://www.fredperry.com/subculture/articles/clt-drp
https://www.indiewitches.net/post/interview-clt-drp
https://www.kerrang.com/clt-drp-sign-to-venn-records-drop-new-single
http://wallofsoundpr.co.uk/brightons-clt-drp-sign-to-small-pond-records/
https://www.kerrang.com/album-review-clt-drp-nothing-clever-just-feelings
https://www.kerrang.com/clt-drp-i-dont-think-people-change-their-mind-by-being-yelled-at
https://www.punktastic.com/radar/clt-drp-i-dont-care-how-much-you-love-harry-potter/
https://getinherears.com/2019/06/19/get-in-her-ears-live-the-finsbury-w-clt-drp-14-06-19/
https://www.clashmusic.com/reviews/clt-drp-nothing-clever-just-feelings/
https://readdork.com/news/clt-drp-song-until-you-showed-me/
https://www.guitarworld.com/features/clt-drp-scott-reynolds-nothing-clever-just-feelings
https://www.loudersound.com/news/listen-to-powerful-new-clt-drp-single-aftermath
https://www.loudersound.com/features/the-10-best-albums-of-2020-you-havent-heard
https://guitar.com/features/interviews/clt-drp-are-forging-their-own-path/
https://www.loudersound.com/features/girls-to-the-front-a-conversation-with-bitch-falcon-and-clt-drp
https://louderthanwar.com/clt-drp-the-shacklewell-arms-live-review/
https://archive.org/details/classic-rock-october-2020/page/89/mode/1up
Vexed | |
---|---|
Origin | Hertfordshire, England |
Genres | Alternative metal |
Years active | 2019–present |
Labels | Napalm |
Members |
|
Past members |
|
Website |
vexedvexedvexed |
Vexed are a British alternative metal band.
Vexed was officially formed on 1 January 2019. [1]
Current members
Past members
Studio albums
e
Singles
e
https://www.scenemusicmedia.com/interview/interview-vexed-misery-loves-company-2023
https://boolintunes.com/interviews/in-conversation-megan-targett-of-vexed/
https://www.kerrang.com/vexed-interview-singer-megan-targett-new-album-negative-energy
https://metalnation.com/vexed-interview-megan-tackles-bullies-toxicity/
https://www.loudersound.com/features/how-tragedy-inspired-vexeds-negative-energy
https://deadrhetoric.com/features/vexed-music-is-nonbinary/
https://www.everblack.com.au/2023/06/22/megan-targett-from-vexed-talks-negative-energy/
https://themidlandsrocks.co.uk/bloodstock-interview-with-vexed/
https://metalnoise.net/2022/02/exclusive-interview-20-questions-with-megan-targett-from-vexed
https://www.reviewzoo.co.uk/post/review-zoo-catch-up-with-vexed-super-talent-vocalist-megan-targett
https://www.breathingthecore.com/2019/04/interviews-vexed.html
https://www.scenemusicmedia.com/interview/interview-vexed-misery-loves-company-2023
was al in the band for negative energy or not???? confused
https://www.tuttorock.com/interviste/vexed-intervista-alla-cantante-megan-targett/
https://www.metal.de/interviews/vexed-interview-zum-neuen-album-negative-energy-493459/
https://www.ox-fanzine.de/interview/vexed-9748
https://knotfest.com/blogs/from-the-artist/hard-targett-vexed-have-rockstardom-in-their-sights
https://loudwire.com/vexed-hideous-music-video-lyrics-culling-culture-album/
https://loudwire.com/vexed-megan-targett-hip-hop-influences/
https://bravewords.com/news/vexed-sign-worldwide-record-deal-with-napalm-records
https://rushonrock.com/2019/05/31/exclusive-interview-vexed-chat-whitechapel-hating-music/
https://rushonrock.com/2019/04/25/vexed-new-video-debut-single-elite/
https://www.youtube.com/watch?v=fmgCOMvjxyo (negative energy track by track, by vexed themselves)
https://distortedsoundmag.com/vexed-finding-strength-at-rock-bottom/
https://v13.net/2023/07/vexed-megan-targett-interview-negative-energy-inspiration-trauma/
https://heavymusichq.com/meet-the-band-vexed/
https://metalnoise.net/2019/07/exclusive-interview-vexed-on-tech-fest-and-all-the-rest
https://www.guitarworld.com/news/vexed-guitar-playthrough
https://www.guitarworld.com/news/essential-guitar-tracks-lead-guitar-lightning-violent-riffs
https://www.deadxnote.com/tabs/vexed/vexed.html (culling culture official(??) tabs).
https://distortedsoundmag.com/vexed-a-baptism-of-fire/
https://killerguitarrigs.com/vexed-interview/
https://killerguitarrigs.com/vexed-interview/
metal hammer july 2021???
https://www.revolvermag.com/music/vexeds-megan-targett-my-top-6-vocal-heroes
https://www.revolvermag.com/music/5-artists-you-need-know-june-2021
https://kerrang.com/megan-targett-vexed-international-womens-day
https://www.youtube.com/watch?v=Eo0E18yljbg (vexed about the artist part 1, napalm records)
https://www.youtube.com/watch?v=gvR2XHzETxo (vexed about the artist part 2, napalm records)
live review in metal hammer september 2019
https://web.archive.org/web/20151113194900/https://www.houstonpress.com/music/metals-problem-with-women-is-not-going-away-anytime-soon-7858411 (november 2015; may or may not be the original ver/basis of below)
https://www.houstonpress.com/music/sexism-in-music-media-the-problem-no-one-wants-to-address-8060415 (jan 2016; sexism)
https://www.vice.com/en/article/ryzn8g/sexism-in-the-music-industry
https://www.jstor.org/stable/853623
https://www.ism.org/news/ism-welcomes-misogyny-in-music-report/
https://www.bbc.co.uk/news/entertainment-arts-68126838
https://www.glamour.com/gallery/female-artists-on-sexism-in-the-music-industry
https://www.theguardian.com/music/2023/sep/19/jann-wenner-music-industry-rolling-stone
https://time.com/5310256/90s-gender-equality-progress/
https://www.equality-empowerment.com/post/sexism-in-metal
https://eprints.whiterose.ac.uk/114057/3/HillMetal%20and%20Sexism.pdf
https://faroutmagazine.co.uk/misogyny-destroying-the-music-industry/
https://faroutmagazine.co.uk/wet-leg-continue-to-face-misogyny-as-former-member-airs-dirty-laundry/
https://inews.co.uk/opinion/wet-leg-behind-every-successful-woman-man-wanting-credit-2448555
https://www.nature.com/articles/s41586-024-07068-x
https://thequietus.com/opinion-and-essays/black-sky-thinking/music-criticism-sexism/
https://www.vice.com/en/article/gy898w/under-my-thumb-feminism-problematic-faves-feature
https://www.mic.com/articles/120035/in-one-quote-this-female-musician-nails-music-industry-sexism
https://nymag.com/intelligencer/2015/03/ellen-pao-and-the-sexism-you-cant-quite-prove.html
https://loudwire.com/escuela-grind-feud/
https://www.popmatters.com/yoko-ono-plastic-ono-band
https://www.popmatters.com/ministry-l7-sex-and-violence-2547524631.html
https://newnoisemagazine.com/interviews/featured-interview-mina-caputo/