Tore Vagn Lid (born 20 April 1973, in Bergen) is a Norwegian theatre director, playwright, musician, Bertolt Brecht enthusiast and artistic director of
Transiteatret-Bergen. Tore Vagn Lid holds a professorship in dramaturgy at the National Academy of the Arts (KHIO) in Oslo.
[1]
He earned a PhD from the Institute for Applied Theatre Studies in
Giessen, Germany (Summa cum laude). Central in what is seen as a new political turn in the contemporary Norwegian theater. He has also written numerous articles, especially focusing on the relationship between theater and music, musicdramaturgy and musical strategies for theater directing.
In October 2011 Lid published his book on music theatre aesthetics and dramaturgy called "Gegenseitige Verfremdungen - Theater als kritischer Erfahrungsraum im Stoffwechsel zwischen Bühne und Musik".
[2][3]
Major concepts
In 2008 Lid was selected to the program "Young directors project" for the
Salzburg Festival with his staging of
Brecht/Eislers play The Measures Taken (in
German: Die Maßnahme). The theater suite Elephant Stories (2009)
[4][5] was an audio-visual confrontation between the theater room and a "new naturalism" represented by the new neuro-sciences. Following up this critical discussion, he used Gerhart Hauptmanns naturalistic piece (1889) Before Sunrise (Vor Sonnenaufgang) as a prism towards an upcoming new naturalism
[6].
Under the motto "Theatre in times of crisis" Lid (re)constructed Brechts "Fatzer" for the Bergen International Festival 2012 recognized in both Norwegian and German press
[7].
During 2012 - 2013 Vagn Lid has developed a trilogy called "Games of sorrow" (Norwegian: Sørgespill-triologien).
In his music-dramaturgical conception, Lid searches for, and tries to articulate ... "the individuals inside the systems and, the other way around, the systems inside the individuals".
[8] The concept attempts "to overcome the gap between the typical individualization of the "classical" theatre on the one hand, and the statistical abstractions of the "documentary" theatre, on the other".
The first of Vagn Lids Games of Sorrow was STRAFF (Punishment), performed for the first time at Logen Teater in Bergen, September dato 2012. The second one was "KILL THEM ALL!"
[9] written for, and performed at Nationaltheatret
[10] in Oslo, February 2013, both receiving outstanding reviews, and released discussions also outside Norway
[11][permanent dead link]. The last part of the trilogy is "JudasEvangeliet"
[12],
[13](The Gospel of Judas) developed with Transiteatret-Bergen for The Ultima Contemporary Music Festival in Oslo with premiere at the Opera September 11, 2013
[14]
In 2009 he received the Hedda Award in the category "Event of the year" of the play Operasjon Almenrauschr [2] , based on the World War II
Operation Almenrausch, produced
Agder Teater and Vest-Agder Fylkeskommune in October 2008.[3]
In 2013 Tore Vagn Lid receives The Norwegian Theatere Critics Award 2012/2013
[17] for his game of sorrow#2, KILL THEM ALL! which made with the National Theatre ( Nationaltheatret)The Norwegian Theatre Critics Award (Den norske Teaterkritikerprisen or Kritikerprisen) is awarded by the Norwegian Critics' Association (Norsk Kritikerlag) and has been awarded every year since 1939 (except 1940-45).
The National Ibsen award 2017 for "Vår Ære/Vår Makt" written and directed by Tore Vagn Lid for Den Nationale Scene (Bergen) 2016.