The Flood (
Arabic: الفيضان,
romanized: Al-Fayḍān) is a 1975 short story collection by the Syrian writer
Ḥaidar Ḥaidar. The collection consists of 11 short stories, all centering on the themes of suppression and oppression experienced by Arab countries following their liberation revolutions. Similar to his other works, Ḥaidar Ḥaidar employs a
stream-of-consciousness narrative style, delving into the psychology of the Arab world and the inner machinations of nationalistic pioneers.[1]
Al-Juuʿ Wal Luṣuṣ Wal Qatala (
Arabic: الجوع واللصوص والقتلة,
lit. 'The Hunger, Thieves, and Killers')
Al-Barabira (
Arabic: البرابرة,
lit. 'The Barbarians')
Wishaḥun Wardiyun Li Rajulin Waḥid (
Arabic: وشاحٌ وردياً لرجلٍ وحيد,
lit. 'The Lonely Man’s Pink Scarf')[2]
Author's statements
Ḥaidar Ḥaidar attributes his use of
stream-of-consciousness technique to his childhood experiences, noting that childhood recollections evoke a dream-like state more than reality. He has criticized traditional Arabic narratives for their simplistic portrayal of reality, arguing that they fail to delve into the inner workings of characters. Despite his Syrian origins, Ḥaidar views all Arab nations as part of a unified cause. His writing often adopts a cynical tone, yet he does not regard the plight of Arab countries as inevitable; rather, he sees reality as mutable and in need of reform. These themes are evident in his short story collection, 'The Flood'. [3]
Elgies of Days: Three Stories on Death (
Arabic: مراثي الأيام: ثلاث حكايةٌ عن الموت,
romanized: Marathi Al-Ayyam: Thalathu Ḥiakayatun ʿAn Al-Mawt) (Novel)