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Image:Fuller.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in Wikipedia articles constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.
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Fuller's autobio, published some years after his death is amazing. The salient factor of his life is his early start. Because he was working in newspapers in the 1920s while still a teenager, he might have been in 1997 one of the last living people to have worked with Arthur Brisbane, through whom he met William Randolph Hearst, etc.
That a friend of Gene Fowler, a man I associate with pre-WWII characters, even roaring twenties people like Walker, was still around then is also amazing; I wish I had met Samuel Fuller Jrm2007 ( talk) 07:06, 21 June 2008 (UTC)
Isn't the material on the film White Dog in the wrong place, and a bit diffuse? Sayerslle ( talk) 02:39, 2 March 2009 (UTC)
I think you've put the 'White Dog' material in the right place now. The article reads better now. By diffuse I just meant it seemed a bit over detailed. Sayerslle ( talk) 00:50, 3 March 2009 (UTC)
I removed Dead Pigeon on Beethoven Street, because it was an episode of a German cop show, and not a film. The page for that episode has a link to the Internet Movie Database, which shows that it is part of the German cop show, Tatort. bruvensky ( talk) 20:20, 4 July 2013 (UTC)
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I've just read on Jonathan Rosenbaum's blog, in an re-issue of his April 2017 Sight and Sound review of Marsha Gordon's Oxford U. P. monograph: ''Film Is Like a Battleground'', that (M. Gordon found out) Fuller was NOT born in 1912, but sometimes, somewhere in 1911. He came, named Michal Filler, to the USA on the S. S. Canada, from Wladimir, Russia in 1913 aged 1 and a half years old.-- Ralfdetlef ( talk) 10:52, 17 December 2023 (UTC)