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Why is the classification of lenses meaningless ? This is based on objective datas. I'm not a great fan of zooms and I agree with the sentence that the best zoom (not lens) are your feet. But well this has senses have you ever tried to shoot handheld at 1/15s with a 300mm ? Or to make portraits with a 21mm ?
Ericd22:44, 7 May 2005 (UTC)
True, but I could create a new classification based on another type of objective data (e.g. focus range at a particular zoom); also, the current classification isn't what one would call scientific ("considerably smaller", "about the same", and "considerably larger" than the than the diagonal of the frame.) And finally, my whole point was that there is no classification when shooting: one just chooses a lens which matches the scene—and your examples illustrate that—, as opposed to some rigid lens "classes". And just to make my point clear: I wanted to write that paragraph for SLR newbies who must (IMHO) understand that the lens choice is theirs, and theirs alone, and it's not dictated in any way by some immutable laws. --
Gutza23:06, 7 May 2005 (UTC)
The classification and the explanation of it is awkward. There needs to be an explanation that lenses are intended for certain formats because of the circle of coverage within which an image does not have significant vignetting. For example, a 90mm lens would be telephoto on a 35mm camera, "normal" on a 6x7cm camera, and wide angle on 4x5 in. camera. However only the lens designed for the 4x5 camera could produce an unvignetted image on all three. A 90mm lens designed for a 35mm camera will produce a small image circle, too small for either of the other formats. Also noteworthy is the fact that because the 90mm wide angle lens is designed for the 4x5 format, it would not resolve as well in the center as a 90mm lens optimized for 35mm cameras.
"Nitpick"
My "Encyclopedia of Photography" defines a "telephoto" lens one that is shorter physically than its focal length would indicate, and the correct term for a lens that is significantly longer than the diagonal of the film area is "long-focus."
As an aside, "significant" in the above sentence refers to the fact that most normal lenses sold on SLR's for the 135 market ("35mm film") are 50-52mm in length- rather longer than the film diagonal of 42-43mm (film gate measurement).
Is "objective lens" inappropriately redirected here?
It doesn't seem like an objective lens is the same as a photographic lens. Some objective lenses are not involved in photography, like those in microscopes and telescopes. --
Kjkolb01:58, 10 November 2005 (UTC)
I have edited the article slightly to remove the common misconception that the
f-number is equal to the ratio of the
focal length to the
aperture diameter. It is not. The f-number is equal to the ratio of the focal length to the diameter of the
entrance pupil of the lens. The latter is proportional to the diameter of the aperture. It is true that doubling the f-number halves the diameter of the aperture but it is not true that the aperture diameter is equal to the focal length divided by the f-number.--
Srleffler04:30, 14 February 2006 (UTC)
Camerapedia copying OK?
It's not plagiarism to copy the "free content" from camerapedia.org; however, the GNU license they use makes their material unsuitable for the wikipedia:
Copyright (C) 2000,2001,2002 Free Software Foundation, Inc.
51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA
Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.
Erm, isn't it talking about the license, not content, when it says "changing it is not allowed"? --
Imroy04:12, 6 July 2006 (UTC)
Perhaps you're right. I had read it as "this licensed document", but I see now that's not what it says. OK, so why did you revert the content?
Dicklyon04:32, 6 July 2006 (UTC)
I didn't like a huge pile of content from a different site (and context) being copied verbatim into the article. It also had a lot of redundant information that was already covered in the article and other articles. Camerapedia looks like a useful resource, but I would prefer the information to be integrated into the article - carefully and with consideration of what is already in the article and other articles. Not just regurgitated with the simple click of a button. Wikipedia
is not a mere dumping ground for random bits of information found elsewhere. The articles need to be well-written and well-laid-out, both within an article and the way in which information is broken into separate articles. --
Imroy05:06, 6 July 2006 (UTC)
We could use some input. An anonymous editor has submitted a request to create a new article Lens size in inch. The content is sourced, but doesn't provide much context. The relation between lens "size" and image size is clearly not applicable to lenses in general. I'm not clear whether this relation is related to photography or video cameras or some other application. Could someone who knows more about photography please review it. If it is appropriate to photographic lenses, perhaps this content should be added as a section in this article. If not, perhaps someone from here could provide input on where best to put it.--
Srleffler21:05, 21 March 2007 (UTC)
It was discussed in the edit comments; there's no obligation to bring it here until someone feels the need to or needs the extra space or a dialogue. So, now we have one. As far as the edit conflict goes, I believe that
WP:RSUE covers this - unless there's something special that makes this information exclusively available from reliable Italian sources, better citation needs to be found first.
Girolamo Savonarola06:45, 4 November 2007 (UTC)
I did a quick google search and found
this company's page that talks about "optical components in a broad range of materials including Calcium Fluoride, Magnesium Fluoride, Barium Fluoride, Zinc Selenide, Zinc Sulfide, Germanium and many more exotic materials too." You could list those materials with that as a source if you want; but it would be better to find one that talks more specifically about photographic lenses.
Dicklyon06:57, 4 November 2007 (UTC)
Focal length clarification
The focal length of the system is related to the
angle of view by
where f is the focal length and d is the image diameter. But that doesn't make sense to me. That seems to imply that every
chief ray entering the entrance pupil exits the exit pupil in a parallel direction. Couldn't one, in theory, have a lens in which all of the exiting chief rays were "bundled tighter together", giving you a lens with a wider field of view than the focal length and the sensor size would imply?
155.212.242.34 (
talk)
16:23, 11 December 2007 (UTC)
It's not clear what you mean by that. The formula is correct only for rectilinear lenses, that is, those that image like a pinhole would. Focal length is defined such that the magnification is the same as a pinhole at the distance of the rear nodal point from the focal plane. Look it up and add it to the article to improve it.
Dicklyon (
talk)
19:08, 28 December 2007 (UTC)
No, I don't think there's any such relationship between a lens's distortion and its nodal points and/or pupils.
Dicklyon (
talk)
05:47, 3 January 2008 (UTC)
You seem more knowledgeable than I on the topic, but I'm skeptical, at least if we restrict ourselves to optical systems for which the entrance and exit pupils stay put as a function of off-axis angle, I think I'm right. If the pupils don't move around, then it seems like you can mentally align the center of the exit pupil with the center of the entrance pupil and you have the equivalent of a pinhole camera if and only if the nodal points are aligned with the pupils.
—Ben FrantzDale (
talk)
01:20, 4 January 2008 (UTC)
It does seem plausible that that would be a sufficient condition for rectilinear imaging. But it's not a necessary condition. Now that I think about it, it seems that if the nodal points don't move with angle, then that's sufficient for no distortion, and might even be necessary; but I don't see any connection to the pupils.
Dicklyon (
talk)
02:44, 4 January 2008 (UTC)
I think I can explain better now. As I understand it, you can have an
image-space telecentric lens with what is effectively a finite focal length. If that is correct, then the back focal length of the lens in an optical sense would be infinite even if a photographer would tell you it has a finite focal length. That is, it sounds like an image-space telecentric lens with an arbitrarily small aperture would rays entering the entrance pupil with angle θ with respect to the optical axis and turn them into outgoing rays parallel to the optical axis offset by sin(θ). Does that sound right, or am I missing something?
Whether the offset is sin(θ) or not depends on the distortion of the lens, but yes, that's about how it works. But "back focal length" is a different concept, not the same as distance to exit pupil. Actually, I'm not sure what "back focal length" is, except that sometimes diagrams show a back and a front focal length and then say they have to be the same, equal to the focal length. Other times it may refer to a distance from the back element or something like that.
Dicklyon (
talk)
15:45, 11 May 2008 (UTC)
Total Focus Camera Lens?
I wonder if anyone here can help. I remember watching a documentary on a lens a few years ago (that I *think* was designed by an Australian) that allowed for objects to be in focus from macro distances to infinity. I watched the shots of a caterpillar eating a plant up very, very close and then a plane sprayer flies in from the distance and over head - all the while with both parts in focus. I seem to recall also that it was a lens used on Cameron's Titanic and that they ended up modifying and mounting it with a swivel/pivoting head. Has anyone else heard of this or got any info for the article? —Preceding
unsigned comment added by
58.179.175.155 (
talk)
03:55, 6 February 2008 (UTC)
One of these techniques was covered in the old Time-Life photography book series. Basically, if the planes of the image, the film and the plane normal to the lens intersect at a single line, the image will be in focus at every point. This is easy enough to do with a view camera, where you can adjust the planes of the film and lens to intersect. A typical SLR can't do this except with some tilt-and-shift lenses.
You can also get infinite focus with a pinhole camera if the pinhole is infinitely small - though a very small hole is a reasonably useful approximation. However, I don't think either of these are what you are referring to. --
Michael Daly (
talk)
08:04, 29 November 2008 (UTC)
References
Ref. 4 was in Italian. Please could someone get an intelligent native English speaker to translate it? The current text shown in the article is unintelligible.
EEye (
talk)
18:34, 13 February 2008 (UTC)
Focal distance
Is there a word for the distance at which a lens focuses? When I was just learning this material, I assumed that was what
focal length meant, which was confusing. So, is there a word to fill out "Take landscape pictures with a _____ of infinity; take
macro pictures with a _____ of an inch or so"? Is it just "focus distance"?
—Ben FrantzDale (
talk)
18:15, 22 April 2008 (UTC)
What you're looking for is the "front focal distance" (sometimes just "focus distance" when it's clear that you mean outside the camera, not inside). When it's equal to the subject distance, your subject will be in focus. Sometimes in DOF analysis we take a shortcut and assume that equality.
Dicklyon (
talk)
03:42, 29 April 2008 (UTC)
Is it really
front focal distance? I've seen that page before but didn't think it was what I was looking for. Are you saying that the "subject distance" is the distance from the camera to the subject even if the subject is out of focus? Other hits on the web seemed to suggest that "subject distance" was right. If it's not, then I'm all for redirecting
subject distance to
front focal distance and making that distinction there. Thanks.
—Ben FrantzDale (
talk)
11:43, 29 April 2008 (UTC)
Optics by Hecht describes this distance as
object distance. (Being an optics book not a photography book, it talks of objects, not subjects.) It also points out that the "object and image must be on opposite sides of their respective focal points" for finite distances (p. 163). So this does seem to be distinct from
front focal distance.
—Ben FrantzDale (
talk)
14:09, 30 April 2008 (UTC)
Explanation of an imaging lens
I feel like Wikipedia is missing a good explanation of the theory of operation of an imaging lens. The pieces are mostly all here, but not in one place. I propose that such an explanation go on this page. Here is a sketch of what I wish I had seen when I started teaching myself this stuff: "A photographic lens can be thought of as a modified
pinhole lens. Pinhole lenses would be excellent lenses, except for a few serious limitations. They are limited in their sensitivity because they admit very little light They are also limited in their resolution: geometric optics says that making the pinhole smaller improves resolution, but this also reduces light; furthermore, diffraction limits the effectiveness of shrinking the hole. Most photographic lenses can be thought of as an answer to the question "how can we modify a pinhole lens to admit more light and give higher resolution?" A first step is to put a simple convex lens at the pinhole with a focal length equal to the distance to the film plane (assuming the camera will take pictures of distant objects) [DIAGRAM HERE]. This allows us to open up the pinhole a bit. The geometry is almost the same as with a simple pinhole lens, but rather than being illuminated by single rays of light, each image point is illuminated by a focused "pencil" of light. Standing out in the world, you would see the small hole. This image is known as the
entrance pupil: all rays of light leaving an object point that enters this pupil will be focused to the same point on the film. If one were inside the camera, one would see the the lens acting as a
projector. The image of aperture is the
exit pupil." It would then go on to give an early history of lenses, describing how various simple designs deal with different sorts of aberrations.
—Ben FrantzDale (
talk)
05:09, 28 June 2008 (UTC)
If the distances from the object to the lens and from the lens to the image are S1 and S2 respectively, for a lens of negligible thickness, in air, the distances are related by the thin lens formula:
has "15 elements in 12 groups (with 3 ED glass elements and one Nano Crystal Coat) and one meniscus protective glass element."
I normally in everyday life think of a group as being more than one. Clearly this is not the case here, as the number of groups is more than twice the number of elements. —Preceding
unsigned comment added by
213.78.42.15 (
talk)
17:36, 28 August 2008 (UTC)
The article states that all camera lenses have convex front elements. I would consider a
Maksutov-based design to be a camera lens and they have a very noticeably concave lens. --
Michael Daly (
talk)
08:08, 29 November 2008 (UTC)
No they don't. They have a convex mirror , often protected by an optically flat glass plane and only occasionally use a very slightly convex front element to compensate for aberrations in the rest of the optical path VelelaVelela Talk 21:35, 29 December 2009 (UTC)
Applying a negative front element in order to shorten the lens's focal length is quite common; found in retrofocus lenses and there fore most wide-angel SLR lenses have negative front elements. Jan 25. December 2009 —Preceding
unsigned comment added by
Jan von Erpecom (
talk •
contribs)
11:08, 25 December 2009 (UTC)
Negative front elements is a very different thing from a convex front element surface (see
Photographic lens design for more on this}. The reason for this, at its simplest, is that lenses display fewest aberrations if the angle of incidence of light on the lens surface is as close to perpendicular as possible. A convex front element means that this condition cannot be met. VelelaVelela Talk 21:35, 29 December 2009 (UTC)
What is it called?
My camera has a round plastic cap which you can put on the lens to protect it from dust and possible physical damage. What is it properly called? Lens cap?
89.218.188.179 (
talk)
14:31, 13 January 2009 (UTC)
Well maybe we should add that to the article..like.. at the bottom maybe. It already has lens hood, teleconverter and such. Lens cap should fit well in there, I think. And yeah, thanks for the answer. —Preceding
unsigned comment added by
89.218.187.31 (
talk)
05:45, 15 January 2009 (UTC)
Just a small thing, but the article names a four-element lens a Tessar. A Tessar is indeed a four-element lens, but in no way is a four-element lens a Tessar by default, there are many many four-element lenses that are not Tessars. —Preceding
unsigned comment added by
94.210.226.28 (
talk)
08:00, 12 June 2010 (UTC)
No the article doesn't - it gives the derivation of the name Tessar and gives the Tessar as one example of a 4 element lens. In fact the Tessar design is a very specific 4 element design and there are many other designs - although most are less effective as photographic lenses than the Tessar. VelelaVelela Talk 22:29, 15 June 2010 (UTC)