Summertime | ||||
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Studio album by | ||||
Released | 1971 | |||
Genre | Pop, easy listening | |||
Length | 26:20 | |||
Label | A&M | |||
Producer | Herb Alpert, Jerry Moss | |||
Herb Alpert and the Tijuana Brass chronology | ||||
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Summertime is a 1971 album by Herb Alpert & the Tijuana Brass. It consists of tracks assembled by Alpert's A&M Records label and was released during Alpert's hiatus from performing that occurred between the albums The Brass Are Comin' (1969) and You Smile – The Song Begins (1974).
The title track is a version of the George Gershwin aria from the 1935 opera Porgy and Bess, though influenced by the Miles Davis jazz interpretation of the song. [1] It was released as a single in June 1971 with "Hurt So Bad" on the flip side, but it failed to chart. [2]
"Jerusalem", written by Alpert, and " Strike Up the Band", another Gershwin tune, are tracks from a single that reached No. 74 on the Billboard Hot 100 in November 1970. [3] [4] "The Nicest Things Happen" was written by Tijuana Brass member Julius Wechter and his wife Cissy. [1]
Cover versions of contemporary and recent hits found on the album include the Beatles' " Martha My Dear", Gordon Lightfoot's " If You Could Read My Mind", the Beach Boys' " Darlin'" and Little Anthony & the Imperials' " Hurt So Bad". [1]
Summertime received mixed contemporaneous reviews. An August 1971 review distributed by the Gannett News Service concluded: "Nothing exceptional in this album except some easy to take, summertime listening. Publishers release books that don't tax the mind at this time of year too." [5] Writing in the Detroit Free Press in the same month, reviewer Bob Talbert had a more positive impression: "Alpert has adjusted, one hopes, to the fact that even the Tom Joneses and Johnny Cashes cool off and find a steady sales and popularity groove. This new Alpert Brass album will bring joy to his fans' hearts and gain him a legion of new ones." [6]
In a modern-day review of the album for AllMusic, Richard S. Ginell lamented: "Clearly, Alpert wasn't quite ready to re-emerge full-blown into the performing world." [7]