Theatre and opera director
Ron Daniels
Born Ronald George Daniel
1942Niteroi, Rio de Janeiro, Brazil.
Education Fundação Brasileira de Teatro, Rio de Janeiro. Known for Theatre, film and opera director Notable work 1982 - The Tempest (starring Derek Jacobi, Mark Rylance), RSC; 1984 - Hamlet (starring Roger Rees, Kenneth Branagh, Frances Barber, Brian Blessed), RSC; 1989 - Hamlet (starring Mark Rylance), RSC; 2010 - Il Postino (starring Plácido Domingo), LA Opera, Theatre an der Wien, in Vienna, the Châtelet in Paris. Website www.rondanielsdirector.com
Ron Daniels (born Ronald George Daniel, 1942) is a
theatre and
opera director.
[1]
[2] He is an Honorary Associate Director of the
Royal Shakespeare Company ;
[3] former Artistic Director of
The Other Place ,
Royal Shakespeare Company ,
Stratford-upon-Avon ; former Associate Artistic Director of the
American Repertory Theatre (ART),
[4]
[5]
[6] Cambridge, Massachusetts; and former Head of Acting and Directing Programs of the
Institute for Advanced Theatre Training at
Harvard University .
[5] He is also a founding member of the
Teatro Oficina ,
[1] São Paulo, in his native Brazil.
[7]
Early years and acting
Daniels was born in
Niteroi ,
Rio de Janeiro , Brazil born 1942.
[1] He studied at Fundação Brasileira de Teatro, Rio de Janeiro.
[5]
[7]
In 1959 Daniels performed in Sangue no Domingo by Walter Hugo Durst, Boca de Ouro by
Nelson Rodrigues , directed by Ziembinski.
[8]
As a founding member of the
Teatro Oficina , São Paulo, 1959–1963
A Incubadeira; Fogo Frio; Todo Anjo é Terrível Look Homeward, Angel with
Henriette Morineau , directed by
José Celso Martinez Correa ;
[9] A Vida Impressa em Dolar Awake and Sing ; José do Parto à Sepultura by
Augusto Boal ) Quatro num Quarto ; Um Bonde Chamado Desejo A Streetcar Named Desire directed by
Augusto Boal ); Os Pequenos Burguêses "Les Petits Bourgeois" by Gorki - with Eugenio Kusnet,
Raul Cortez , Celia Helena, directed by
José Celso Martinez Correa .
[1]
In 1964, aged 21, Daniels moved to the UK and joined the
Royal Shakespeare Company in 1968, playing Metellus Cimber in
John Barton 's Julius Caesar
[10] and John Grass in
Indians by
Arthur Kopit , directed by
Jack Gelber .
[11]
[12]
[13]
Directing 1969–1974
In 1969 Daniels became a director and worked for five years directing for the following institutions:
1969–1972
Victoria Theatre, Stoke-on-Trent : The Pot of Gold ; Electra ; She Stoops to Conquer ; Coriolanus ; Major Barbara ; Fighting Man ; Who's Afraid of Virginia Wolf ; Sweeney Todd, the Demon Barber of Fleet Street ;
[14] Ghosts ; Drums in the Night ; The Samaritan ; Time Travelers ; The Recruiting Officer .
[5]
[15]
1972–1974
Royal Academy of Dramatic Art : Measure for Measure ; Fear and Miseries of the Third Reich ; The Insect Play ; Twelfth Night ; A Midsummer Night's Dream ; Pillars of the Community .
[16]
Drama Centre London : The Word
[7]
[15]
As a freelance director
The Long and Short and the Tall ; The Samaritan by
Peter Terson , with
Timothy Dalton ; The Children's Crusade by
Paul Thompson featuring
Daniel Day-Lewis ;
[17] Female Transport by Steve Gooch; Sergeant Musgrave's Dance by John Arden; Into the Mouth of Crabs ; By Common Consent by Paul Thompson; The Motor Show ; Made in Britain ; Bang by Howard Barker;
[18] Ashes by
David Rudkin , with
Ian McKellen ,
Gemma Jones ;
[19] The Beastly Beatitudes of Balthazar B by
JP Donleavy , with
Simon Callow ;
[20] Across from the Garden of Allah by Charles Wood,
[21] with
Nigel Hawthorne and
Glenda Jackson ; The Feast of Snails by Olaf Olafsson
[22]
Royal Shakespeare Company 1974–1991
In 1974, Daniels returned to the RSC, where he directed 34 productions until he moved to the US in 1991.
[7]
[3]
[23]
[24]
Productions directed
Afore Night Come (by
David Rudkin , with
Michael Pennington ,
Richard Griffiths ),
The Other Place 1974
Destiny (by
David Edgar with
Michael Pennington and
Ian McDiarmid ), The Other Place 1976,
Aldwych Theatre 1977
[24]
T'is Pity She's a Whore , The Other Place 1977, Warehouse, London 1978
[24]
The Lorenzaccio Story (by Paul Thompson, with
Peter McEnery ), The Other Place 1977, Warehouse 1978
[24]
Winter's Tale (by Rosalind Winter, featuring
Alan Rickman ,
Zoe Wanamaker )
[25]
The Sons of Light (by
David Rudkin , with
Peter McEnery ), The Other Place 1977
[24]
The Women-Pirates Ann Bonney and Mary Read , Aldwych Theatre 1978
[24]
Hippolytus (with
Patrick Stewart and
Michael Pennington ), The Other Place 1978, Warehouse, 1979
[24]
Pericles (with
Peter McEnery ), The Other Place 1979, Warehouse 1980
[24]
The Suicide (by Erdman, with
Roger Rees ), Aldwych Theatre 1981, Warehouse 1980
[24]
Romeo and Juliet , The Other Place 1979,
Royal Shakespeare Theatre 1980, Aldwych Theatre 1981
[24]
Timon of Athens (with
Richard Pasco ), The Other Place 1980, Warehouse 1981
[24]
Hansel and Gretel , The Other Place 1980, Warehouse 1981
[24]
A Midsummer Night's Dream (with
Juliet Stevenson ,
Harriet Walter ,
Mike Gwilym ), The Other Place 1979, Royal Shakespeare Theatre 1980, Aldwych Theatre 1981
[24]
[26]
Peer Gynt (with
Derek Jacobi ), The Other Place 1982, Pit, London 1983
[24]
The Tempest (with
Derek Jacobi ,
Mark Rylance ), Royal Shakespeare Theatre 1982,
Barbican Theatre 1983
[24]
Maydays (with
Anthony Sher ), Barbican Theatre 1983
[24]
The Mistake , Pit, London 1984
[24]
Unpersons , Pit, London 1984
[24]
Julius Caesar (with
Peter McEnery ,
Gemma Jones ), Royal Shakespeare Theatre 1983, Barbican Theatre 1984
[24]
Hamlet (with
Roger Rees ,
Kenneth Branagh ),
Barbican Theatre 1985, Royal Shakespeare Theatre 1984
[24]
Breaking the Silence (by
Stephen Poliakoff , with
Daniel Massey ,
Alan Howard ,
Juliet Stevenson ),
Mermaid Theatre 1985, Pit 1984
[24]
Camille (by
Pam Gems , with
Frances Barber ), The Other Place,
Comedy Theatre 1985
[24]
Real Dreams (by
Trevor Griffiths , with
Gary Oldman ), Pit, London 1986
[24]
The Danton Affair (by
Pam Gems , with
Brian Cox ); Barbican Theatre 1986
[24]
Much Ado About Nothing (with
Fiona Shaw ), Tour 1986
[24]
They Shoot Horses Don't They (with
Imelda Staunton ,
Henry Goodman ),
Mermaid Theatre 1987
[24]
The Plain Dealer , Pit 1989,
Swan Theatre 1988
[24]
Hamlet (with
Mark Rylance ), Royal Shakespeare Theatre 1989, Barbican Theatre, London 1989
[24]
Playing with Trains (with
Simon Russell Beale ,
Michael Pennington ,
Ralph Fiennes ), Pit 1989
[24]
A Clockwork Orange (with music by
Bono and
The Edge ), The Royalty Theatre, London 1990, Barbican Theatre 1990
[24]
Earwig , Pit 1990
[24]
Richard II (with
Alex Jennings ), Royal Shakespeare Theatre 1990, Barbican Theatre 1991
[24]
Slaughter City (by
Naomi Wallace
[27] ), Pit 1996
Henry V (with
Michael Sheen ), Royal Shakespeare Theatre 1997
[24]
US years
In 1991, Daniels moved stateside, where he resided for 30 years, until recently moving back to the UK in 2021.
[15]
While in New York he directed Richard II , Richard III and Macbeth for the
Theatre for a New Audience
[28] and
Naomi Wallace 's One Flea Spare for the
Public Theatre
[29] He also directed Much Ado about Nothing and The Taming of the Shrew at the
Old Globe in San Diego
[30] and most recently, Othello at the
Shakespeare Theatre in Washington, DC.
[31]
Productions
ART and Institute for Advanced Theatre Training 1991–1996
As a freelance director in the US
Afore Night Come (
Long Wharf Theatre )
[34]
Bingo (with
Alvin Epstein )
[35]
Ivanov (with
Alvin Epstein )
[36]
Man is Man (with
Estelle Parsons )
[37]
Puntila and His Servant Matti , (
Yale Repertory Theatre )
[38]
Romeo and Juliet (
Guthrie Theatre )
[5]
Camille (by Pam Gems with
Kathleen Turner and
David Hyde Pierce , Long Wharf Theatre)
[39]
Anthony and Cleopatra (
Shakespeare Theatre, DC )
[40]
One Flea Spare (by
Naomi Wallace
[41] with
Diane Weist and
Bill Camp ,
Public Theatre, NY )
[42]
Richard II , Richard III , Macbeth (with
Bill Camp ,
Elizabeth Marvel for
Theatre for a New Audience )
[43]
Hedda Gabler (Dallas Theatre Centre)
[44]
Points of Departure (by
Michael John Garcés , for
INTAR )
[45]
The Suitcase Triology (by
Han Ong , Ma-yi workshop)
[46]
Havana is Waiting (by
Eduardo Machado ,
Cleveland Playhouse )
[47]
The Front Page (
Williamstown Theatre Festival with
Richard Kind ,
Wayne Knight and
Jason Butler Harner )
[48]
Kingdom (by Aaron Jafferis) (
Old Globe Theatre, San Diego )
[49]
The Taming of the Shrew (
Old Globe Theatre, San Diego )
[50]
Much Ado About Nothing (
Old Globe Theatre, San Diego )
[51]
Othello (
Shakespeare Theatre, DC )
[31]
However during his time in the US Daniels still continued to direct some productions in the UK. Namely:
National Theatre
Opera
Daniels has worked on
Madama Butterfly ,
La Bohème ,
Carmen , and
Don Giovanni .
[54]
[55]
Productions
The Shepherd King (
Boston Opera )
[56]
Madama Butterfly (with
Catherine Malfitano /
Veronica Villaroel /
Patricia Racette /
Anamaria Martinez at
San Francisco Opera and others)
[57]
Carmen (with
Beatrice Uria-Monzon and
Marcus Haddock at
Houston Opera and others)
[58]
The Turn of the Screw (Berkshire Opera)
[59]
Tosca (with Sondra Radvanoski at
Opera Colorado )
[60]
Cosi Fan Tutti (
Arizona Opera )
[61]
La Forza del Destino (San Francisco Opera)
[62]
II Postino (with
Plácido Domigo and
Charles Castronovo ,
LA Opera – LA, Vienna, Paris, Mexico City, International Festival Cervantino in Guanajuato, Santiago, Chile, Madrid)
[63]
Die Entführurg aus Dem Serail (
Opéra de Nice )
[64]
Sweeney Todd, the Demon Barber of Fleet Street (with
Rod Gilfry and
Karen Ziemba )(
Opera Theatre of St. Louis )
[64]
La Boheme (
Opera Theatre of St. Louis )
[65]
Pagliacci (
Opera Theatre of St. Louis )
[66]
Il Tabarro (
Opera Theatre of St. Louis )
[66]
Orfeo and Euridice (
Gluck ), (
Opera Theatre of St. Louis )
[67]
Charlie Parker 's
Yardbird (with
Lawrence Brownlee -
Opera Philadelphia ,
Chicago Lyric Opera ,
Apollo Theatre (NY) ,
English National Opera ,
Madison Opera )
[68]
[69]
[70]
Brazil and Japan
In his native Brazil, Ron directed King Lear, Hamlet, Macbeth, Measure for Measure and Colm Tóibín's The Testament of Mary and in Japan, Titus Andronicus and Hamlet .
[71]
Brazil
Japan
Film
Director
Executive producer
Move back to the UK
In 2021 Daniels moved back to the UK and has recently began curating and directing digital art.
[15]
[78] in June 2023. The Return of Benjamin Lay will be seen again in Pittsburgh in February 2025, under the banner of the
Quantum Theatre , and later in New York, produced by
Playhouse Creatures .
[79]
Acting coach
Daniels runs a weekly 'salon' for actors from across the United States, who continue to work with him to refresh their notions of Shakespeare, examine new ideas and to prepare for auditions and roles. The members of these salons range from
Tony winners to early career actors trying to work on their craft.
[80]
Since his return to the UK, Daniels has established himself as an acting coach with his teaching based in the work of Shakespeare. Daniels offers his expertise to UK actors looking to train further in Shakespeare through workshops, courses and one off top-up sessions.
[80]
Publications and media
Daniels is the author of Encontros com Shakespeare ,
[81] published 22 May 2019.
He is also known for his translations, with Marcus Daud, of Macbeth , Hamlet , King Lear and Measure for Measure (published by SESC, São Paulo) into Portuguese.
[82]
[83]
Contributions
Daniels' work with playwright
Naomi Wallace is extensively referenced and discussed in The Theatre of Naomi Wallace: Embodied Dialogues
[27] by Scott T Cummings and Erica Abbitt Stevens; in which he is also a contributing author in the chapter titled 'Naomi is in my head'.
[84]
[85]
In 1989 Daniels took his Royal Shakespeare Company production of Hamlet, starring Mark Rylance, to
Broadmoor Hospital , a high security psychiatric unit. It was one of a series of Shakespeare tragedies presented to the patients, along with workshops that took place after the performances.
[86] The book, Shakespeare Comes to Broadmoor
[87] by Murray Cox with a foreword from Sir
Ian Mckellen offers insights into the impact of such drama performed in the central hall of Broadmoor Hospital between 1989–1991, upon the actors and audiences. Daniels contributed an interviewed chapter to this publication.
[87]
Daniels' work as a director, with emphasis on his Shakespeare work, is heavily referenced and studied in An A-Z Guide to Shakespeare
[2] by
Stanley Wells (2013); while his contribution to theatre is discussed and referenced further in The Oxford Encyclopedia of Theatre and Performance
[1] by
Dennis Kennedy (2003), The Oxford Companion to Theatre and Performance
[1] by
Dennis Kennedy (2010), and The Continuum Companion to Twentieth Century Theatre
[4] by Colin Chambers (2006); his Portuguese production and work is mentioned and studied in Flavio Imperio
[9] by
Renina Katz (2005).
Media
The South Bank Show
In 1989, Ron Daniels was interviewed on
The South Bank Show with
Melvyn Bragg , alongside
Richard Eyre and
Yuri Lyubimoy , regarding the three simultaneous productions of Hamlet at
Royal National Theatre , on tour, and Daniels' production featuring Mark Rylance at the RSC.
[88]
[89]
BBC Late Show
In 1990, the
BBC Late Show featured an interview with director Ron Daniels, about his production of
A Clockwork Orange at the Royal Shakespeare Company, designed by
Richard Hudson and featuring music by
Bono and
The Edge .
[90] The feature, along with interviews with Hudson, production manager Mike Arnold, and theatre critic
Tom Sutcliffe , discuss the design and the development of the production for a 90's audience.
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^
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^
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a
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^
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External links