Richard Pryce (14 May 1864 – 30 May 1942)[1][2][3][4] was an
English novelist, author of Christopher, David Penstephen and other works of fiction.[note 1] He was also a playwright and wrote a number of one act and three-act plays. Disappointed with his cold reception by the public in Britain, despite glowing reviews, he wrote very little after the outbreak of the
First World War.[6]
Early life
Pryce was born in
Boulogne,
France on 14 May 1864.[1] He was the second son of Colonel Price and Sarah Beatrice Hamilton (30 June 1834 – 7 April 1911).[4][2] He was educated at Leamington in
Warwickshire. He started life as a junior clerk in the
Bank of England, before his first novel, An Evil Spirit was published in 1887.[7]
Novels
Jisc Library Hub Discover[note 2] lists 18 novels by Pryce. This list is not necessarily exhaustive.
Jisc Library Hub Discover list ten plays by Pryce, or collections of plays. to which he contributed. Kemp notes that most of his plays were adaptations of the works of other authors.[7] The following list is not exhaustive as at least one play by Pryce was found which was not listed in the catalogues collated by
Jisc, and press references have been found to other plays.
Plays by Pryce, and collections of plays to which he contributed`.
Pryce lived most of his life in the West End of London. He lived in one of the most quaint and miniature houses in London, fashioned out of a garage and two rooms which had been converted into five rooms and a bathroom.[44]
This was The Cottage, 4 Groom Place,
Belgrave Square,
London, where Pryce was still living at his death in 1928.[3] His house was filled with finds from the Caledonian Market, to which Pryce made a visit every Friday morning.[44]
Pryce died in the Royal Avenue Nursing Home in Chelsea, London, on 30 May 1942. His estate was valued at £2,500 14s. 1d.[3]
Assessment
Sadlier stated that, despite praise from reviewers, Pryce never had the success in Britain that he deserved. David Penstephen was widely read in the United States, but Pryce's self-assurance was shaken by the neglect he suffered at the hands of the British public.[34]. He was much more popular in the United States and got many letters from readers there.[44] Kemp says that Discouraged by the lack of public interest in his work, though reviews were warm, Pryce had more or less given up writing fiction by the outbreak of the First World War.[7] However, the
British Library catalogue contains works after this date. The Pall Mall Gazette said that Mr. Pryce's work is always highly finished, and very interesting on its technical side. He might almost be called "a writers’ writer."[30]
Notes
^In 1913, the San Francisco Call announced: Four Books by the author of "Christopher" Are Published Simultaneously In This Country. The United States has been invaded by Richard Pryce through the medium of his novels, no less than four of which have been published simultaneously in this country. Up to the present time Mr. Pryce's reputation as far as America was concerned has rested upon a single moderately successful story, "Christopher." The best of the four novels recently issued may be expected to receive the same sort of limited recognition.[5]
^The
Jisc Library Hub Discover brings together the catalogues of 165 Major UK and Irish libraries. Additional libraries are being added all the time, and the catalogue collates national, university, and research libraries.[8][9]
^Has a frontispiece by Henry Stephen Hal Ludlow (29 January 1859 – 19 August 1940),[10][11] whom Houfe describes as a very competent all round magazine illustrator, his subjects ranging from theatrical sketches to Parliamentary reporting, stories and cattle shows[12]
^The Pall Mall Gazette said that the book is . . . a bright tale of a clever imposture, which loses little by being quite impossible. The interest is well sustained, and the reader is kept in the dark for a very reasonable time.[13] There is an online copy at the
British Library.[14]
^There are online copies of both volumes at the
British Library.[18][19]. The British Library catalogue refers to an 1892 single volume edition by Chatto with a frontispiece by Henry Stephen Hal Ludlow.
^The
British Library has online copies of both the 1894 two volume edition by Methuen,[22][23] and the 1895 single edition by Innes & Co.[24] The
Athenæum said We should like to tell the plot of Mr. Pryce's delightful story, if only to show how skilfully it is put together.[25]
^The Westminster Gazette said that: . . . there is a good deal of pleasant writing in it . . . but that the book is . . . a trifle long drawn out, and is inclined to tediousness in consequence. and that the book as a whole does not live up to the promise of graphic and dramatic writing in the first chapter.[28]
^The
Manchester Courier described this book as a collection of fifteen tales imbued with all the author's delightful qualities of dramatic characterisation and human sympathy.[29] Most of the stories had already appeared in magazines.[30] One of the stories The girl from Lambeth wad first appeared in ' Chapman's Magazine in 1896[31] and was subsequently dramatised by Pryce and
Frederick Fenn as My Child.[32]
^The novel follows the hero, Christopher Herrick from his birth aboard an ocean steamer on which his widowed mother is returning from India. The novel continues until early manhood, when Christopher's hopes of marrying an unsuitable wife are crushed.[33]
^Sadlier says that this was widely read in the United States.[34]
^The Exeter and Plymouth Gazette said it was . . . a well told and thoroughly interesting story.[35]
^Mr. Richard Pryce's sensitive art is not without a certain kinship with that of Miss Austen. His personages usually live in comfortable circumstances; their love attain and marriages are of the first importance. He excels in describing a charming drawing-room.[36]
^The Western Mail said I do not think that Mr. Richard Pryce has hurried over this story. He seems to linger lovingly over every word he has written. . . Mr. Pryce possesses a style which enfolds his subject with beauty and the thought which fills that beauty with light.[37]
^French's acting edition 2267. Written together with Frederick Fenn. The Bystander said that: In its realism and combination of comedy and tragedy "Op o' me Thumb" stands almost unrivalled.[38] Served as a curtain raiser for Saturday to Monday at the
St. James's Theatre[39]
^Written together with Frederick Fenn. Opened at the
St. James Theatre on 14 April 1904. 'Op 'o me Thumb served as a curtain raiser. [39]. The play was still more than two months later when The Bystander did a six page photo-story on the play.[40]
^Adapted from a story in Arthur Morrison's "Divers vanities." French's acting edition no. 2318
^This was adapted by Pryce from the novel The Eglamore Portraits (Methuen, London, 1906) by
Mary E. Mann.[41] French's acting edition 2359. The play was first performed on 1 December 1909 at the
Playhouse. The
London Evening Standard consider that while the play was distinctly jolly, it was not that funny. The plot centred on a mother-in-law secretly working against her son's wife.[42]
^This was an adaptation by Pryce of a story by
Mary E. Mann called Freddy's Ship.[41] French's acting edition no. 2356. The play was first performed on 1 December 1909 at the
Playhouse, as a curtain raiser for Little Mrs Cummin. The
London Evening Standard called the play a serious little play and was complimentary about the play and the actors. The one act-play concerned a woman trying to keep the news of the death of someone from his mother.[42]
^The play was not found in the
Jisc catalogue (which includes the
British Library catalogue). Adapted from the novel Candlelight by Alice Dudeney (Hurst and Blackett, London, 1918). Performed at the
Royal Court Theatre, London in 1920.[43]
^Selected by J. W. Marriott. It is not clear which of Pryce's one-act plays featured in this volume. This volume was obviously a success as Marriott edited the fourth series in 1928.
^Selected by J. W. Marriott. It is not clear which of Pryce's one-act plays featured in this volume.
^Adapted from the novel by Richard Oke. Produced at the
Royalty Theatre in 1935.[43]
^This omnibus volume contained the following plays: Viceroy Sarah by N. Ginsbury' The Dominant Sex by M. Egan, Frolic Wind by Pryce, The Old Ladies by R. Ackland, Flowers of the Forest by J. van Druten, and Lovers' Leap by P. Johnson.