Portrait of a Young Man Holding a Roundel | |
---|---|
Artist | Sandro Botticelli |
Year | c. 1480 |
Medium | Tempera on poplar wood |
Movement | Italian Renaissance |
Owner | Private |
The Portrait of a Young Man Holding a Roundel (also known as Portrait of a Young Man holding a Trecento Medallion [1]) is a painting attributed to Sandro Botticelli. Due to its style it has been estimated to have been painted around 1480. [2] The identity of the portrait's subject is unknown, but analysts suggest it could be someone from the Medici family, as Lorenzo de' Medici was one of Botticelli's main benefactors. [3]
The painting, thought to have been completed c. 1480, is believed to represent the beauty ideals [4] of Renaissance Florentine high society. [5] The young man's tunic is of a simple, fine quality with a blue color very rare at the time. [6] The work was painted in tempera on poplar wood [7] with a width of 38.9 cm and a height of 58.7 cm. [1] The figure of the bearded saint in the trecento medallion [8] was added after the portrait was completed and is believed to be an original by Bartolomeo Bulgarini, also known as the "Ovile Master". [8] The medallion is very similar to other works by Bulgarini [9] with a presumption that it was originally trimmed from a rectangular trecento. [10] The young man is portrayed in front of a window frame in which the artist has fashioned a series of color planes. [8] The inner frame is a uniform grey color, and appears to have a bright blueish tone to the left with a darker grey one in the right so the colors seem to change from left to right. [8] One of the young man's fingers, supporting the medallion from below, rests on a bright grey strip at the bottom of the painting. The hand acts as a repoussoir that provides the illusion that the medallion is in another level within the painting. [8]
The first modern record of the painting was in 1938, when it was owned by Baron Newborough of Caernarvon. [1] At the time, the art dealer Frank Sabin [2] visited the Newborough estate and appraised the painting's value. [1] Lord Newborough was ignorant of the true value of the painting, so Sabin managed to buy the piece for a relatively low price. [1] Art historians assumed that the painting came into the possession of the Newborough family when the 1st Baron Newborough, Thomas Winn, lived in Florence, Italy between 1782 and 1791. [2] [1]
Sabin sold the portrait to the collector Sir Thomas Merton in 1941 for a five-figure sum. [2] During Merton's ownership the portrait was first described as a work by Botticelli. [1] The attribution to Botticelli was doubted later, as prominent monographs on Botticelli did not include the portrait as one of his. [9] Currently a majority of the art historians accept the attribution to Botticelli. [2] While the Merton family owned the portrait, it became the subject of a poster for a Royal Academy of Arts Exhibition of Italian Art in 1960. [11] In 1982, Merton's descendants sold the painting for £ 810,000 at an auction at Christie's. [2]
After Sheldon Solow bought the piece in 1982, [12] [2] the portrait was loaned to major museums including the Metropolitan Museum of Art in New York, the National Gallery in London, and the Städel Museum in Frankfurt, [3] where it was displayed in a Botticelli exhibition in 2009–2010. [2] In January 2021, the portrait was sold at an auction at Sotheby's New York for more than US$92.2 million [13] to a Russian-speaking collector. [14] The price for the painting was the highest paid for a Botticelli and the highest for an Old Master work since Leonardo Da Vinci's Salvator Mundi sold in 2017. [15]