The painting portrays a man from a three-quarter point of view, with an attention to details typical of
Flemish painting. The man is wearing a black coat and a hat of the same color. In the left hand, he is showing a
sestertius of emperor
Nero, a symbol of his attention to
Humanism. In the background is a lake landscape: Memling was one of the first painters to use natural landscapes for backgrounds of portraits (instead of the traditional black one), influencing later Renaissance artists such as
Sandro Botticelli and
Pietro Perugino.
The identity of the subject is unknown. It has been supposed that he could be one of the numerous Italians living at the time in Antwerp or
Bruges, who often commissioned artworks to local painters. It has been variously identified as
Bernardo Bembo, or with the Florentine artist Niccolò di Forzore Spinelli, who died in Lyon, where the painting was in the early 19th century. Or it may be Giovanni di Candida.[1]