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Pierre François Lacenaire (20 December 1803 – 9 January 1836) was a French
murderer and
poet.
Biography
Phrenological bust of Pierre François Lacenaire, circa 1836
Lacenaire was born in
Francheville, Rhône, near the city of
Lyon in eastern France. His parents were Jean-Baptiste Lacenaire, an honest and successful
bourgeois merchant, and Marguerite Gaillard.
Upon finishing his education with excellent results, he enlisted in the
French Royal Army, eventually deserting in 1829 at the time of the
Morea expedition during the
Greek War of Independence. He then became a criminal and was in and out of prison, which was, as he called it, his "criminal university."
While in prison, Lacenaire wrote a satirical
poem, "Petition of a Thief to a King, his Neighbor." He also wrote an article titled "The Prisons and the Penal Regime" for a
magazine.
To aid him in committing his crimes, Lacenaire recruited two
henchmen, Pierre Victor Avril (whom he had met while in prison) and Hippolyte François.
On 14 December 1834, Lacenaire and Avril murdered Jean-François Chardon with an axe, while suffocating Chardon's mother in her bed at Passage du Cheval-Rouge,
Poissy.
In the months between the beginning of his trial for a double murder and his execution, he wrote Memoirs, Revelations and Poems.[1] During his trial, he fiercely defended his crimes as a valid protest against social injustice. He turned the courtroom into a theatre and his prison cell into a literary
salon. He made a lasting impression on
French culture and upon several writers, such as
Balzac and
Dostoevsky.
He was executed on the
guillotine at the age of 32.
In literature and film
His hand, severed after death, was the subject of a poem by
Théophile Gautier.[2]
Dostoyevsky read about Lacenaire's case. There are some similarities between his crime and
Raskolnikov's crime in Crime and Punishment. In another of his novels, The Idiot, Radomsky mentions Lacenaire when discussing Ippolit's suicide attempt with the prince Myshkin, “… But beware of those home-bred Lacenaires of ours. I repeat, crime is all too usual a refuge for mediocre, impatient, and greedy nonentities of that sort. ”[3] In the same conversation between Radomsky and the prince 'the dozen' is referred to indicating the Lacenaire murders.
He is depicted in the French film Children of Paradise (Les Enfants du Paradis, 1945), directed by
Marcel Carné from a script by
Jacques Prévert, where his stance as a loner and a rebel is stressed. In the film, Lacenaire (
Marcel Herrand) refers to himself as a bold criminal and a social rebel, but his actual criminal activities mostly stay outside the film's narrative.
Philosopher
Michel Foucault believed Lacenaire's notoriety among Parisians marked the birth of a new kind of lionized
outlaw (as opposed to the older folk hero), the bourgeois romantic criminal, and eventually to the detective and
true crime genres of literature.[4]
There is a French film called Lacenaire (1990) starring
Daniel Auteuil.
The work of Enamels and Cameos is referenced in The Picture of Dorian Gray by Oscar Wilde. Wilde makes mention of two poems: "Lacenaire" and "On the Laggons". Chapter 14, Barnes and Noble edition, 2003.
^Stead, Philip John (tr.), The Memoirs of Lacenaire (London, 1952)
^Gautier, Théophil (1887) [1887]. "Étude De Mains" [Studies of Hands].
Émaux et Camées [Enamels and Cameos] (poem) (in French). Paris: Librairie L. Conquet. pp. 15–19. Retrieved 1 May 2010. Curiosité Depravée !
^Dostoyevsky, Fyodor (April 2010) [First published in Russian in 1869]. "chaPart III, chap. 7 Penguin classic English language translated by David Magarshack.". The Idiot. United States of America: Signet Classics. p. 441.
ISBN978-0-451-53152-0.