Peter Burr (born 1980) is an American digital and new media artist. He specializes in animation and installation. He was also a touring member of the collective
MOBILIVRE-BOOKMOBILE;[citation needed] and founded the video production company, Cartune Xprez. He is based in
Brooklyn, New York.
In 2005, he founded the video label and touring animation roadshow Cartune Xprez.[12] In 2015, he was named one of the "best unrepresented artists." by The AFC.[13]
Works
Burr's works integrate
video game design into
new media and
digital art. His projects often blend cinema with interactive elements to explore themes of alienation, urbanism, and the social influence of internet technologies.[citation needed]Special Effect is a live cinema performance that was presented at 50 different venues across the world from 2012 to 2014.[14]Cave Exits is an art installation described as a living structure inside a 4-channel video cube, premiering at the
Images Festival in Toronto in 2015.[15] He continued that collaboration with an interactive artwork entitled Dirtscraper that premiered at the inaugural exhibition of the ICA at VCU.[16] The project employs the "video game concept of an endlessly mutating death labyrinth," exploring themes of alienated feminine bodies and feral architecture. Peter and
Porpentine were commissioned by
Rhizome to continue that body of work through a Virtual Reality piece. The result of that commission was the project Arcology, a "portrait of a woman navigating a living labyrinth."[17]
In May 2018, Burr's ongoing work Pattern Language was exhibited at
Times Square as the monthly installment of the Midnight Moments series. The display involved digital art on advertising screens.[18]
In January, 2021, his project Responsive Eye was exhibited at Telematic Media Arts and
Minnesota Street Project. It is a collection of multimedia artworks that examine ways we endure contemporary life in gridded simulations. [19]
In December, 2022, his artwork Boom Town launched at Feral File. It explores the cyclical nature of boom and bust economies within virtual landscapes.[20]
In July, 2023, His project Sunshine Monument premiered at The Whitney Museum. It is an exploration of dystopian themes through architectural constructs within virtual spaces reflecting on the museum structure that houses it both literally and symbolically.[21]