The P-Funk Earth Tour was a concert tour by Parliament-Funkadelic in 1976–1977, featuring absurd costumes, lavish staging and special effects, and music from both the Parliament and Funkadelic repertoires.
The P-Funk Earth Tour was ambitious from the start. Casablanca Records executive Neil Bogart gave George Clinton a $275,000 budget for production, the largest amount ever allocated for a Black music act to tour. [1] Clinton hired Jules Fischer as set designer, who had previously worked on tours for The Rolling Stones, KISS, and other rock bands. [1] [2] Both the show's music and production elements were extensively rehearsed at an aircraft hangar in Newburgh, New York. [1] [2] The show required seven trucks to transport its equipment and scenery. [2] With a broad range of themes embodied in the show's production, culminating in the Afrofuturist landing of the P-Funk Mothership, author Rickey Vincent states that the P-Funk Earth Tour "drew from the ribald, uncensored entirety of the Black tradition in mind-blowing ways no one had yet even attempted." [1] Rolling Stone viewed the tour as embracing Clinton's "semiserious funk mythology" with "[a] mixture of tribal funk, elaborate stage props and the relentless assault on personal inhibition [that] resembled nothing so much as a Space Age Mardi Gras." [3] The New York Times described the tour as featuring "superbly silly, lavish costumes" and an "opulent Baroque ... stage show". [4]
The tour began in April 1976 in Nashville. [1] The 1977 live album Live: P-Funk Earth Tour was recorded at two early 1977 concerts, January 19 at the Los Angeles Forum and January 21 at the Oakland Coliseum. [1] The tour drew to a close in mid-1977; its expenses were as high as its innovation level and it was losing money steadily; [5] indeed one tour assistant's job was "to tell the musicians why they weren't getting paid." [5] Nevertheless, the tour served as valuable publicity and marketing for "the P-Funk brand", [5] making reference to the greater Parliament-Funkadelic-Clinton enterprise of acts, records, side projects, spin-offs, andso forth.
In 1986, Capitol issued a recording of a late 1976 concert as Mothership Connection: Live From Houston, attributed to George Clinton and Parliament-Funkadelic.