An organ
concerto is an orchestral piece of music in which a
pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.
The orchestral form first evolved in the 18th century, when composers including
Antonio Vivaldi and
George Frideric Handel wrote organ concertos with small orchestras; these organ parts rarely if ever call for the organ pedal board. During the
Classical period the organ concerto became popular in many places, especially in
Bavaria,
Austria and
Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of jubilus character. From the
Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by
Francis Poulenc has entered the basic repertoire, and is quite frequently played.
Some works for organ and orchestra which clearly feature the organ in a solo, virtuoso role are not given the name
concerto, e.g. the Symphonie concertante of
Joseph Jongen.
In general, the term
organ symphony is reserved for works for solo organ without orchestra, although the nickname "Organ Symphony" for the
Saint-SaënsThird Symphony persists, though it is neither a concerto nor a true
organ symphony.
Composers of organ concertos
Antonio Vivaldi (1678–1741)
D minor for violin, organ and strings, RV 541
F major for violin, organ and strings, RV 542 (allegro, lento, allegro)
C major for violin, cello, organ and strings, RV 554a
F major for 2 violins, 2 organs and double orchestra, RV 584 (incomplete)
C minor for violin, organ and strings, RV 766
F major for violin, organ and strings, RV 767
C major for violin, organ and strings, RV 774 (incomplete)
F major for violin, organ and strings, RV 775 (incomplete)
C major for 2 organs and strings, RV 793 (incomplete)
Handel wrote organ concertos as interludes for his oratorios—playing the organ part himself while directing the orchestra. Some are arrangements of his earlier works, or of works by other composers. For more details see the
list of Handel's concertos. Many alternatives exist, so it is difficult to precisely number his organ concertos, however it is generally accepted that he wrote 16:
HWV 289 – Op. 4 No. 1 in G minor: larghetto, allegro, adagio, andante
HWV 290 – Op. 4 No. 2 in B-flat major: tempo ordinario, allegro, adagio, allegro ma non troppo
HWV 291 – Op. 4 No. 3 in G minor: adagio, allegro, adagio, allegro
HWV 292 – Op. 4 No. 4 in F major: allegro, andante, adagio, allegro
HWV 293 – Op. 4 No. 5 in F major: larghetto, allegro, alla siciliana, presto
There are no true organ concerti (i.e., for organ and orchestral ensemble) by Bach, but several
cantata movements contain extensive
obbligato organ parts. Versions of six of these cantata movements had a later incarnation in the two
harpsichord concertos BWV
1052 and
1053.
Cantata 35 contains two instrumental
Sinfonias with organ solo, the first of which agrees with the fragmentary keyboard concerto
BWV 1059.[1] A recording of a reconstruction of this as an organ concerto was made by
Ton Koopman.[2]
Bach's admiration for
Antonio Vivaldi and the Italian style led to several transcriptions of instrumental concertos for solo organ, without an orchestra.
Gregor Joseph Werner (1693–1766)
The Austrian composer
Gregor Joseph Werner wrote a concerto in B-flat major for organ, 2 chalumeaux and string orchestra, dated 1753: Allegro – Largo – Tempo di menuet (manuscript: Országos Széchényi Könyvtár, Budapest: Ms.mus III.305; RISM: 530003636), as well as other concertos for organ and string or chamber orchestra. Besides these he wrote a pastorella in D major for organ and string orchestra: Andante – Larghetto – Allegro.
Johann Adolf Hasse (1699–1783)
The German composer
Johann Adolf Hasse wrote six concertos for organ (or harpsichord) and orchestra, published in London ca 1743.
Michel Corrette (1707–1795)
The French organist-composer
Michel Corrette wrote six concertos.
Concerto No. 1 in G major: allegro, aria I, aria II, allegro
Concerto No. 2 in A major: allegro, adagio, allegro
Concerto No. 3 in D major: adagio, aria, andante, adagio, allegro
Concerto No. 4 in C major: allegro, aria, allegro
Concerto No. 5 in F major: allegro, aria, allegro
Concerto No. 6 in D minor: allegro, andante, presto
Marianus Königsperger (1708–1769)
The German composer
Marianus Königsperger wrote six concertos and two pastorellas for organ and string orchestra, with two trumpets or horns ad libitum, Op. 18 (Certamen musicum complectens VI. concerta communia et II. pastoritia, Augustae-Vindelicorum: sumptibus Joannis Jacobi Lotteri Haeredum, 1754).
Georg von Reutter (1708–1772)
The Austrian composer
Georg von Reutter wrote a concerto in F major for organ (or harpsichord) and string orchestra.
Thomas Arne (1710–1778)
The English composer
Thomas Arne composed six concertos.
Concerto No. 1 in C major: largo ma con spirito, andante, allegro, minuetto
Concerto No. 2 in G major: allegro, lento, moderato, allegro, con spirito
Concerto No. 3 in A major: con spirito, con spirito, minuetto, moderato
Concerto No. 4 in B-flat major: con spirito, minuetto, giga moderato
Concerto No. 5 in G minor: largo, allegro con spirito, adagio, vivace
Concerto No. 6 in B-flat major: allegro, moderato, ad libitum, allegro, minuetto
Carl Philipp Emanuel Bach (1714–1788)
The German composer
Carl Philipp Emanuel Bach wrote several concertos for keyboard instrument (organ as one possible option), including the following:
Concerto in G major for organ (or harpsichord), strings and basso continuo, dated 1755 (Helm 444; Wq. 34): Allegro di molto – Largo – Presto.
Concerto in E-flat major for organ (or harpsichord), strings and basso continuo, with optional French horns, dated 1759 (Helm 446; Wq. 35): Allegro ma non troppo – Adagio sostenuto – Allegro assai.
Concerto No. 4 in B-flat major for organ and orchestra: Con spirito – Minuetto – Giga.
Concerto No. 5 in G minor for organ and orchestra: Largo – Allegro con spirito – Adagio – Vivace.
Concerto No. 6 in B-flat major for organ and orchestra: Allegro moderato – Minuetto – Variations.
Georg Christoph Wagenseil (1715–1777)
The Austrian composer
Georg Christoph Wagenseil wrote several concertos for organ (or harpsichord) and string orchestra, of which six were published in London in 1761 and another set of six also in London by Welcker ca 1765.
Johann Georg Zechner (1716–1778)
The Austrian composer
Johann Georg Zechner wrote at least four concertos for keyboard instrument and (string) orchestra; either one of them or another work in F major is recorded by
Franz Haselböck and
Capella Academica Wien, conducted by
Eduard Melkus, as an organ concerto: Allegro – Adagio – Presto (Hänssler Classic CD 94.052).
Joseph Anton Xaver Auffmann (ca 1720–1773 or later)
The German composer
Joseph Anton Xaver Auffmann wrote at least three concertos for organ and chamber orchestra, Op. 1 (Triplex concentus organicus, seu III. concerti organici à octo instrumentis, Augustæ-Vindelicorum: sumptibus Joannis Jacobi Lotteri Hæredum, 1754).
Antonio Soler (1729–1783)
The Spanish composer
Antonio Soler wrote six concertos for two organs (without other instruments):
Concerto No. 2 in A minor: andante-allegro, tempo di minué
Concerto No. 3 in G: andantino, minué
Concerto No. 4 in F: afectuoso, andante non largo, minué
Concerto No. 5 in A: cantabile, minué
Concerto No. 6 in D: allegro-andante-allegro-andante, minué
František Xaver Brixi (1732–1771)
The Czech composer
František Xaver Brixi wrote at least six concertos for organ (or harpsichord) and chamber orchestra, e.g.:
Concerto in D major for organ and chamber orchestra (two horns, two violins and bass): Allegro moderato – Adagio – Allegro (manuscript: Universitäts- und Landesbibliothek, Bonn: Ec 252.5; RISM 450.064.567).
Concerto in D major for organ and chamber orchestra (two trumpets, two oboes, strings, bass, timpani): Allegro molto – Andante molto – Allegro molto (manuscript: Konvent minoritů v Praze, Prague: 16; RISM 551.000.016).
Joseph Haydn (1732–1809)
The Austrian composer
Joseph Haydn wrote at least three concertos for organ:
Concerto Hob. XVIII:1 in C major for organ (or harpsichord) and orchestra, dated tentatively 1756.
Concerto Hob. XVIII:2 in D major for organ (or harpsichord) and orchestra, composed no later than 1767.
Concerto Hob. XVIII:6 in F major for violin and organ (or harpsichord) with string orchestra, composed no later than 1766.
Besides these, several of his keyboard concertos are performed with organ. There are also works attributed him, dubiously or spuriously:
Concerto Hob. deest in C major for organ and chamber orchestra (2 trumpets, 2 violins, basso continuo), composed no later than 1790–1810: Andante – Presto (manuscript: Slovenské národné múzeum – Hudobné múzeum, Bratislava: MUS XII 42; RISM 570.000.177).
Johann Georg Albrechtsberger (1736–1809)
The Austrian composer
Johann Georg Albrechtsberger wrote a concerto in B-flat major for organ and string orchestra, dated 1762, and published as volume 1 in Musica rinata series (Budapest: Zenemükiadó, 1964).
Michael Haydn (1737–1806)
The Austrian composer
Michael Haydn wrote concerto MH 41 in C major for viola and organ (or harpsichord) with orchestra, dated 19 December 1761 (the year is uncertain).
Sir William Herschel (1738–1822)
The German-born English astronomer and composer Sir
William Herschel wrote at least two concertos for organ and orchestra:
Concerto no. 1 in G major for organ and orchestra, composed 1767: [no title] – Andante assai – Allegro (manuscript: The British Library, London: MS Mus. 89; RISM 806.451.028).
Concerto [no. 2?] in D major for organ and string orchestra, composed 1767 (manuscript: The British Library, London).
Johann Baptist Waṅhal (1739–1813)
The Czech-born Austrian composer
Johann Baptist Waṅhal wrote at least nine organ concertos, which are only known from the inventory of the composer's estate. Concerto Bryan F1 in F major for harpsichord or piano and orchestra, composed no later than 1786, is edited and published in 1973 as an organ concerto in Diletto musicale series.
Marian Paradeiser (1747–1775)
The Austrian composer
Marian Paradeiser wrote a concertino for organ (or harpsichord), violin, violoncello and orchestra; a manuscript of this work is kept in the library of the
Melk Abbey in Melk, Austria.
Antonio Salieri (1750–1825)
Italian-born Austrian composer
Antonio Salieri wrote an organ concerto in C major in 1773. Manuscript of this work is in the collections of the National Library of Austria. An edition, by J.S. Hettrick, in published in Vienna in 1981.
Karel Blažej Kopřiva (1756–1785)
The Czech composer
Karel Blažej Kopřiva wrote at least eight concertos for organ and orchestra, but only the one in E-flat major for organ and chamber orchestra, with movements Allegro moderato – Adagio – Allegro di giusto, is known to have survived.
Wolfgang Amadeus Mozart (1756–1791)
The Austrian composer
Wolfgang Amadeus Mozart wrote
seventeen Church Sonatas. These were meant for liturgical use (i.e. in a church service), rather than concert performance. Eight of these feature the
pipe organ in an obbligato solo part.
No. 7 K. 224 (241a) in F major for organ, two violins, cello and bass (basso continuo), dated 1776
No. 8 K. 225 (241b) in A major for organ, two violins, cello and bass (basso continuo), dated 1776
No. 10 K. 244 in F major for organ, two violins, cello and bass (basso continuo), dated April 1776
No. 11 K. 245 in D major for organ, two violins, cello and bass (basso continuo), dated April 1776
No. 12 K. 263 in C major for organ, two trumpets, two violins, cello and bass (basso continuo), dated December 1776
No. 15 K. 328 (317c) in C major for organ, two violins, cello and bass, dated 1779
No. 16 K. 329 (317a) in C major for organ, two oboes, two horns, two trumpets, two violins, timpani, cello and bass (basso continuo), dated March 1779
No. 17 K. 336 (336d) in C major for organ, two violins, cello and bass (basso continuo), dated 1780
Balthasar Anton Pfeyll (18th century)
A Central-European composer
Balthasar Anton Pfeyll (Balthasarus Antonius Pfeyll) composed at least one concerto in D major for organ and chamber orchestra (two horns, strings, bass): Allegro [and other movements?] (manuscript: Kloster Einsiedeln, Musikbibliothek, Einsiedeln: 18,19 (Ms.1837); RISM 400012780).
Matteo Andruzzi (fl. 1785)
The Italian composer
Matteo Andruzzi wrote at least one concerto in C major for organ and orchestra (manuscript: Škofijski arhiv, Koper: GA XXI/17; RISM 540.200.227).
Skitner
An unrecognised Central-European composer called Skitner wrote at last one concerto in D major for organ and chamber orchestra, dated before 1802: Allegro (assai) – Allegro assai (manuscript at the
Landesbibliothek Coburg: Ms Mus 374/1.52; RISM 450.107.181; another manuscript: Národní knihovna České republiky, Prague: no sigla; RISM 552.000.678).
Josef Gabriel Rheinberger (1839–1901)
The Liechtenstein-born German composer
Josef Gabriel Rheinberger wrote two concertos for organ and orchestra:
Félix-Alexandre Guilmant
Alexandre Guilmant,
[1] wrote two of his organ sonatas in two versions
[2], one as a symphony for organ and orchestra:
Sonata No. 1 in D minor / Symphonie No. 1 in D minor for organ and orchestra: Introduction et Allegro / Pastorale (Andante quasi allegretto) / Final (Allegro assai)
Sonata No. 8 in A major / Symphonie No. 2 in A major for organ and orchestra: Introduction et Allegro risoluto / Adagio con affetto / Scherzo: Allegro vivace / Andante sostenuto / Intermède et Allegro con brio
Marco Enrico Bossi (1861–1925)
Concerto in A minor, Op. 100, for organ, string orchestra, 4 horns and timpani (Bossi wrote this concerto in two versions, the first in B-flat minor with a different orchestration but with the same opus number)
Konzertstück in C minor, Op. 130, for organ and orchestra
Fantasia Sinfonica, Op. 147, for organ and orchestra