Markus Breitschmid (born 20 April 1966,
Lucerne, Switzerland) is an American
architectural theoretician,
architect, and the author of several books on contemporary architecture and philosophical aesthetics. His most highly regarded books are Der bauende Geist. Friedrich Nietzsche und die Architektur (2001), The Significance of the Idea (2008, first print), and Non-Referential Architecture (2018, first edition). His writings have been translated into Chinese, English, French, German, Hindi, Italian, Japanese, Korean, Russian, and Spanish. Breitschmid has been invited to contribute to the
Venice Biennale of Architecture, the Architecture Biennale of
Chicago, the Salone Internationale del Mobile di Milano in
Milan, and the Triennale of Architecture in
Lisbon. His work has been exhibited at the Galerie d'Architecture in
Paris and the Royal Institute of British Architects in
London.
Breitschmid holds a
military as well as a civil education. He completed his training as an
ArtilleryOfficer in the
Swiss Armed Forces in 1987. He served in the Mechanized Artillery of the
Swiss Army in the rank of a
First Lieutenant. Breitschmid received his architectural education in Switzerland, the United States and Germany. He is a registered architect. He received his
Philosophiae Doctor (Ph.D.) in engineering science from the
Technische Universität Berlin, where he was the first doctoral student of the eminent architectural theoretician
Fritz Neumeyer.[2] Breitschmid operates the architecture firm Markus Breitschmid Architecture LLC in
Virginia.
Breitschmid was born in Lucerne, Switzerland. Breitschmid is a citizen of the United States and
Switzerland.
Writings on architecture
Breitschmid's writing concerns the aesthetic mentality of
modernism and
contemporary architecture. Among other subjects, Breitschmid has written books on the German philosopher
Friedrich Nietzsche's thoughts on building, contemporary architecture, and on Non-Referential Architecture. Breitschmid has written several essays on the work of
Bruno Taut.[3]
Breitschmid submitted his doctoral dissertation "Der Baugedanke bei Friedrich Nietzsche" at the Technische Universität Berlin in 1999; it was subsequently published as a German-language book titled Der bauende Geist. Friedrich Nietzsche und die Architektur (The Building Spirit. Friedrich Nietzsche and Architecture). Together with books on Nietzsche by Fritz Neumeyer and
Tilmann Buddensieg, Der bauende Geist became the foundation for scholarship on the subject of Nietzsche and architecture.[4][5]Der bauende Geist was included in Hanno-Walter Kruft's "A History of Architectural Theory from Vitruvius to the Present" for the revised 2013 edition.[6]
Subsequently, Breitschmid's publications have dealt with such subjects as contemporary Swiss architecture,[7][8][9][10] Bruno Taut,[11][12][13][14] Tectonics in Architecture,[15] and Theories of Interpretation.[16][17]
Since 2006, Breitschmid has made a name for himself by means of a sustained collaboration with architect
Valerio Olgiati on numerous publications that took on the form of books, essays, and interviews.[18][19][20][21][22][23][24]
In her 2012 book Forms of Practice, the Romanian-British architecture historian Irina Davidovici argues that Breitschmid's thesis of "The Significance of the Idea" is pertinent for all of the contemporary architecture of “post-enlightenment culture.”[25]
Since 2013, Breitschmid propagates Non-Referential Architecture as a response to a contemporary societal current that increasingly rejects ideologies of any kind, political and otherwise. The first use of the term Non-Referential appears in a reprint of an interview between Olgiati and Breitschmid in the Italian journal Domus.[26] In 2014, Breitschmid published a rebuttal titled "Architecture is Derived from Architecture" (published in German language) in the Swiss journal Werk, Bauen + Wohnen, thereby responding to an architectural claim made by others that attempts to imbue meaning into architecture from the extra-architectural.[27]
Breitschmid wrote the book Non-Referential Architecture, a treatise on contemporary architecture, that was published in 2018. It analyses the societal currents of the early 21st century and argues that those currents are radically different from the epoch of
postmodernity. The book proposes a new framework for architecture and defines the seven underlying principles – 1) experience of space, 2) oneness, 3) newness, 4) construction, 5) contradiction, 6) order, 7) sensemaking – for a Non-Referential Architecture.[28] The book has been published in several languages since its first appearance.[29]
Published works (selection)
As author
Der bauende Geist. Friedrich Nietzsche und die Architektur. Quart, 2001.
ISBN978-3-907631-23-2
Can Architectural Art-Form be Designed Out Of Construction? Architecture Edition, 2004.
ISBN978-0-9702820-8-8
Between Object and Culture, in: Wolkenkuckucksheim - Cloud-Cuckoo-Land - Vozdushnyi zamo. Eduard Fuehr (ed.), Cottbus: No. 2/2007.
Three Architects in Switzerland: Beat Consoni – Morger & Degalo – Valerio Olgiati. Quart, 2008.
ISBN978-3-907631-88-1
Un’architettura che, in fondo, e ‘solo’ astratta, in: Casabella. Francesco Dal Co (ed.), Milano: 72/No.770, 2008, pp. 8–9; 107–108.
The Significance of the Idea. The Architecture of Valerio Olgiati. / Die Bedeutung der Idee. Die Architektur von Valerio Olgiati. Niggli Verlag, 2008.
ISBN978-3-7212-0676-0
El Inventorio Conceptual de Valerio Olgiati / Valerio Olgiati's Ideational Inventory in: El Croquis No.156, 2011.
ISBN978-84-88386-65-6
The Architect as 'Molder of the Sensibilities of the General Public': Bruno Taut and his Architekturprogramm. in: The Art of Social Critique. Painting Mirrors of Social Life, Lexington Books, 2012.
ISBN978-0-7391-4923-2
Christ & Gantenbein. Around the Corner. Hatje & Cantz, 2012.
ISBN978-3-7757-3381-6 [co-authored with Victoria Easton]
Architektur leitet sich von Architektur ab. in: Werk, Bauen + Wohnen, No. 9, Zürich, 2014.
ISSN0257-9332
Bruno Taut - Glass House at Cologne. in: Harry Francis Mallgrave, David Leatherbarrow, Alexander Eisenschmidt (eds.) The Companions to the History of Architecture, Volume IV, Twentieth-Century Architecture, John Wiley & Sons, Inc., London, 2017.
ISBN978-1-444-33851-5
Non-Referential Architecture. Ideated by Valerio Olgiati; Written by Markus Breitschmid. Basel: Simonett & Baer 2018
ISBN978-3-906313-19-1
Nicht-Referenzielle Architektur. Gedacht von Valerio Olgiati; Geschrieben von Markus Breitschmid. Basel: Simonett & Baer 2018
ISBN978-3-906313-20-7
Non-Referential Architecture. Ideated by Valerio Olgiati; Written by Markus Breitschmid. 2nd edition, Zurich: Park Books 2019
ISBN978-3-03860-142-5
Nicht-Referenzielle Architektur. Gedacht von Valerio Olgiati; Geschrieben von Markus Breitschmid. 2. Auflage, Zürich: Park Books 2019
ISBN978-3-03860-141-8
Architettura Non-Referenziale. Ideato da Valerio Olgiati; Scritto da Markus Breitschmid. Zurich: Park Books 2019
ISBN978-3-03860-143-2
"Architektur der Berge": Bruno Taut. in: Thinking in Thin Air. Anthology of a Decade Engadin Art Talks, Zurich: Lars Müller Publishers 2020
ISBN978-3-03778-624-6
Arquitectura No-Referencial. Ideado por Valerio Olgiati; Escrito por Markus Breitschmid. Ciudad de México: Arquine 2020
ISBN978-607-9489-74-8
Ogni edificio esiste per se stesso. in: Domus. No.1054, Milano, 2021
ISSN0012-5377
Architecture Non-Référentielle. Idéé par Valerio Olgiati; Ecrit par Markus Breitschmid. Marseille: Cosa Mentale 2021
ISBN978-2-491039-12-7
Theodor Cron. Stanze italiane / Italian Rooms. Cura di / Edited by Markus Breitschmid, Enrico Molteni. Rome: Quodlibet 2024
ISBN978-88-229-2169-7
As editor
Conversation with Students – Valerio Olgiati. Virginia Tech Architecture Publications, 2007.
ISBN978-0-9794296-3-7
A Modern Milieu – Julius Meier-Graefe. Architectura et Ars Series, Volume 1, Virginia Tech Architecture Publications, 2007.
ISBN978-0-9794296-0-6
Thoughts on Building. Corporis Publisher for Architecture, Art, and Photography, 2008.
ISBN978-0-9795472-8-7
K + N House at Wollerau – Valerio Olgiati. Architecture Case Study, Volume 11, Corporis Publisher for Architecture, Art, and Photography, 2009.
ISBN978-0-9802274-9-9
Olgiati. English Edition. Birkhäuser, 2011.
ISBN978-3-0346-0783-4 (text edited with Leina Gonzalez; also available in German, French, Italian, Spanish, and Japanese editions)
Seattle Central Library – Rem Kohlhaas. Architecture History Case Study No.15, Corporis Publisher for Architecture, Art, and Photography, 2013.
ISBN978-0-9893936-5-2
Architecture and the Ambient – Mario Botta. Architectura et Ars Series, Volume 2, Virginia Tech Architecture Publications, 2013.
ISBN978-0-9893936-5-2
^Markus Breitschmid: Der bauende Geist. Friedrich Nietzsche und die Architektur. Luzern: Quart Verlag, 2001, p. 219.
^A+U. Architecture and Urbanism. No. 12, Tokyo: A+U Publishing Co., Ltd, 2012, p. 13
^Hartmut Mayer: Mimesis und moderne Architektur. Eine architekturtheoretische Neubewertung. Bielefeld: transcript Verlag, 2017, p. 18.
^Ole W. Fischer: Nietzsches Schatten: Henry van de Velde - von Philosophie zu Form. Berlin: Gebrüder Mann Verlag, 2012, pp. 12-14.
^Hanno-Walter Kruft: Die Geschichte der Architekturtheorie - Von der Antike zur Gegenwart. München: Verlag C.H. Beck, (1985) 2013, p 703.
^Markus Breitschmid. Three Architects in Switzerland: Beat Consoni – Morger & Degelo – Valerio Olgiati. Lucerne: Quart Publishers 2007.
^Markus Breitschmid [with Victoria Easton]. Christ & Gantenbein: Around the Corner. Ostfildern:
Hatje Cantz Verlag 2012.
^Markus Breitschmid.
Mario Botta. Architecture and the Ambient. Translated by Alice Francesconi and Marianna Galbusera. Blacksburg: Virginia Tech Architecture Publications 2013.
^Markus Breitschmid. “Archaisch und doch spezifisch. The Pérez Museum in Miami.
Herzog & de Meuron” in: Archithese, Zurich:, 4/2015, pp. 54-61.
^Markus Breitschmid. “The Architect as ‘the Molder of the Sensibilities of the General Public’. Bruno Taut and the Architekturprogramm” in: The Art of Social Critique. Painting Mirrors of Social Life. Shawn Chandler Bingham (ed.) Lanham: Lexington Books of Rowman & Littlefield, 2012, pp. 155-179.
^Markus Breitschmid. “Alpine Architecture by Bruno Taut” in: Disegno. The Quarterly Journal of Design, London: Spring 2017, 62-70.
^Markus Breitschmid. “The
Glass House at Cologne” in: Companion to the History of Architecture, (Harry F. Mallgrave,
David Leatherbarrow, Alexander Eisenschmidt, eds.), Volume 4, London:
Wiley-Blackwell, 2017, pp. 61-73.
^Markus Breitschmid. ""Architektur der Berge": Bruno Taut" in: Thinking in Thin Air. Anthology of a Decade Engadin Art Talks, Zurich: Lars Müller Publishers 2020, 20-25.
^Markus Breitschmid. Can architectural art-from be designed out of construction? Blacksburg: Architecture Edition 2004.
^Markus Breitschmid. “Between Object and Culture” in: Wolkenkuckucksheim - Cloud-Cuckoo-Land - Vozdushnyi zamo. Eduard Fuehr (ed.), Cottbus: No. 2/2007, pp. 162-171.
^Markus Breitschmid. “Architecture & Philosophy: Thoughts on Building” in: Designing Design Education. Amsterdam: Designtrain, 2008, pp. 138-147.
^Breitschmid, Markus. The Significance of the Idea – Die Bedeutung der Idee. Sulgen: Niggli Verlag, 2008
^Markus Breitschmid. Valerio Olgiati – Conversation with Students. Blacksburg: Virginia Tech Architecture Publications, 2007
^Markus Breitschmid. “One Question for the Architect Who Does Not Believe in Anything” in: Architecture + Urbanism Tokyo: 12/2012, pp. 44-47.
^Markus Breitschmid. “Un’architettura che, in fondo, e ‘solo’ astratta” in:
Casabella. No.770. Francesco Dal Co (ed.), Milano: Mondadori, 2008, pp. 8-9; 107-108.