Padrón filmed the six-minute short while he was a student at Havana's Superior Institute of Arts (ISA), and intercuts sped-up shots of people's feet in various kinds of shoes with footage of soldiers marching in boots, alongside a jazz soundtrack.[1]
^
abAnderson, Alexandra (2009). "Cuban Documentary: Synergy and Its Discontents". In Haddu, Miriam; Page, Joanna (eds.). Visual Synergies in Fiction and Documentary Film from Latin America. p. 60.
doi:
10.1057/9780230622159_4.
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