Belém
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Image
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Name
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Year of inclusion
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Type
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Livro do Tombo
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Information
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Lauro Sodré Palace (Palácio Lauro Sodré) or Government Palace (Palácio do Governo)
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1974
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Building
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Histórico; Belas Artes
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The palace dates from the late 18th century and was designed by architect
Giuseppe Landi in the classical Italian style. It has an internal chapel with a baroque altarpiece from where the procession of the first
Círio de Nazaré left on September 8, 1797. It currently houses the
Pará State Museum (Museu do Estado do Pará).
[11]
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Nazaré Avenue (Avenida Nazaré): architectural complex
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1985
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Urban complex
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Belas Artes
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The occupation of the
Nazaré neighborhood dates back to the second half of the 18th century when a chapel dedicated to
Our Lady of Nazareth was built, which led to the emergence of the Círio de Nazaré. Several buildings along Nazaré Avenue have been listed, such as the Baron of Guamá Palace (Palacete do Barão de Guamá), the Baron of Japuri's Manor House (Solar do Barão de Japuri) and the College of Our Lady of Nazareth (Colégio de Nossa Senhora de Nazaré).
[11]
[9]
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Our Lady of Solitude Cemetery (Cemitério de Nossa Senhora da Soledade)
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1964
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Urban complex
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Arqueológico, Etnográfico e Paisagístico
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Inaugurated in 1850, the cemetery was established due to a
yellow fever epidemic in the region in the mid-19th century. The Chapel of Our Lady of Solitude (Capela de Nossa Senhora da Soledade) was built by Captain Joaquim Vitorino de Sousa Cabral in a
neoclassical style with English iron railings. Used as a burial place for Pará's elite, the cemetery has several important funerary monuments, including the tomb of General Hilário Maximiliano Antunes Gurjão, built in
Brescia, Italy.
[11]
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Archaeological and ethnographic collection of the
Emílio Goeldi Museum of Pará (Museu Paraense Emílio Goeldi)
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1940
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Collection
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Arqueológico, Etnográfico e Paisagístico
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Founded in 1866 by
Domingos Soares Ferreira Penna, a naturalist from
Minas Gerais, the museum has an extensive collection of natural sciences and anthropology, characterized by a focus on the Amazon region. The conservation status includes the archaeological collections, which comprise 2,746 pieces of ceramics and more than a million fragments.
[11]
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Architectural complex of the
Cidade Velha and
Campina neighborhoods
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2012
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Urban complex
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Arqueológico, Etnográfico e Paisagístico; Histórico
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The complex of Cidade Velha and Campina neighborhoods, founded at the beginning of the 17th century, forms the historic center of Belém. The protection covers around 2,800 buildings, including palaces, mansions and mansions with commercial establishments on the first floor.
[11]
[9]
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Architectural and landscape complex of
Ver-o-Peso and surrounding areas
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1977
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Urban complex
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Arqueológico, Etnográfico e Paisagístico; Belas Artes
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An architectural complex built in the 18th century around the old Casa de Ver-o-Peso, a tax office responsible for collecting taxes on different goods imported into the captaincies. Construction of the current
Ver-o-Peso Market began in 1899 and consisted of an iron structure brought from Europe covered in
Marseille tiles and
art nouveau towers with a zinc scale roof. The registry includes the
Meat Market (Mercado de Carne), the Fish Market (Mercado de Peixe),
Castilho França Boulevard (Boulevard Castilho França),
Dom Pedro II Square (Praça Pedro II) and sections of Portugal Avenue (Avenida Portugal), Marquês de Pombal Street (Rua Marquês de Pombal) and
Clock Square (Praça do Relógio).
[9]
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Architectural, urban and landscape complex of
Dom Frei Caetano Brandão Square (Praça Dom Frei Caetano Brandão), formerly Largo da Sé
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1964
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Urban complex
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Arqueológico, Etnográfico e Paisagístico; Histórico
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Located next to the shore of
Guajará Bay, the square represents Belém's initial settlement. The Cidade Velha and Campina (now Comércio) neighborhoods, which constitute the historic center, originated and consolidated around it.
[9]
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Architectural complexes on Governador José Malcher Avenue (Avenida Governador José Malcher) and Rui Barbosa Lane (Travessa Rui Barbosa)
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1985
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Urban complex
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Belas Artes
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A complex of structures built in the 19th century in neoclassical style, influenced by the Portuguese-Brazilian tradition, expressed mainly in the use of tiles on the facades.
[9]
[11]
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Convent and Church of Our Lady of Mercy (Convento e Igreja de Nossa Senhora das Mercês)
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1941
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Building and collection
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Histórico
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The church, erected in brick masonry, was inaugurated in 1777 to replace the original chapel, dated 1640. The architectural design by Giuseppe Landi is notable for its originality, as one of the few Brazilian churches to have a convex facade and a pediment with wavy lines. After the expulsion of the
Mercedarian order from the
Province of Pará in 1794, the temple served different civilian and military uses, including as a shelter for insurgents during the
Cabanagem.
[11]
[12]
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Convent and Church of Our Lady of Mount Carmel (Convento e Igreja de Nossa Senhora do Carmo)
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1941
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Building and collection
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Histórico
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Construction of the church began in 1690 on the same site as the original chapel, erected by the
Carmelite order in 1627. The congregation also erected the Chapel of Our Lord of the Steps (Capela do Senhor dos Passos), inserted in the same architectural complex. In 1766, the church was expanded according to a design by Giuseppe Landi.
[12]
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Palace of the Eleven Windows (Palacete das Onze Janelas), former Royal Military Hospital (Hospital Real Militar)
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1964
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Building
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Histórico
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The building designed by Giuseppe Landi in the second half of the 18th century was adapted from a property bought in 1770 from Domingos da Costa de Bacelar to house the Military Hospital. It underwent modifications throughout the 19th century, when it received the triangular pediment on the main facade. It functioned as a hospital until 1938. Since 2002, the space houses a contemporary art museum, along with a restaurant and a multicultural area.
[13]
[12]
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Murutucu Mill (Engenho Murutucu): ruins and Chapel of Our Lady of the Conception (Capela de Nossa Senhora da Conceição)
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1981
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Ruin
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Histórico
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The mill was built in the 18th century by João Manuel Rodrigues and was considered one of the best and best equipped in Pará. When the sugar trade declined, the complex was abandoned and fell into ruin in the mid-19th century. The chapel was built in 1711 by the Mercedarian friars and restored in the second half of the 18th century by Giuseppe Landi. It is the only standing structure in the complex.
[12]
[11]
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Presépio Fort (Forte do Presépio)
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1962
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Building
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Histórico
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Founded in 1616 by
Francisco Caldeira Castelo Branco at the confluence of the
Guamá River and Guajará Bay, the fort is considered the initial point of occupation at the mouth of the
Pará River. After several renovations in the 18th century, it was semi-destroyed in 1835 during the Cabanagem. After several military uses of the fortification and architectural modifications, it underwent restoration and was adapted for museum use in the early 2000s.
[14]
[12]
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Metropolitan Cathedral of Belém (Catedral Metropolitana de Belém)
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1941
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Building and collection
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Histórico
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The original chapel was built in 1616 next to the Presépio Fort by Francisco Caldeira Castelo Branco and later transferred to the current location. Construction of the present temple began in 1748. It opened unfinished in 1755 and Giuseppe Landi concluded the work in 1774. The interior is richly adorned with Baroque carvings, ancient images, a marble high altar,
alabaster and works by
Domenico de Angelis, Alexandrino de Carvalho and Silvério Caporini.
[12]
[11]
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Church of Our Lady of the Rosary (Igreja de Nossa Senhora do Rosário)
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1950
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Building and collection
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Histórico; Belas Artes
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The original chapel was built in the second half of the 17th century by slaves devoted to
Our Lady of the Rosary. In 1725, due to its poor state of preservation, the chapel was demolished and replaced by the current church, designed by architect Giuseppe Landi. The interior is adorned with solid silver candlesticks and lanterns, as well as rare manuscripts, paintings and sculptures.
[11]
[12]
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Church of Saint Anne (Igreja de Santana)
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1962
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Building and collection
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Belas Artes
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Built in 1761 to replace the old chapel, the church was designed by Giuseppe Landi with neoclassical features. Highlights include the cross-shaped nave, the decoration of floral paintings on the ceiling, the marble cladding of the chancel and altar walls and the ogival vault crowned by a dome. It houses an image of
Saint Peter, an ancient replica of the Roman original.
[12]
[11]
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Church and Former College of Saint Alexander (Igreja e Colégio de Santo Alexandre)
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1941
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Architectural complex
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Histórico
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The original chapel and the first college were built in 1616 by Jesuit missionaries. The current architectural complex dates back to 1719 and was constructed on the same site by order of Manuel de Brito; the decoration of the facades finished in 1731. The original painted ceiling disappeared during a renovation. The interior decoration features a Portuguese silver lamp from the 18th century with the coat of arms of the Carmelites.
[11]
[12]
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Church of Saint John the Baptist (Igreja de São João Batista)
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1941
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Building and collection
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Histórico
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Designed by Giuseppe Landi, the church was built between 1771 and 1774 on the same site where the original chapel stood in 1622. The octagonal nave covered by a dome stands out. The interior is decorated with
trompe-l'œil perspective paintings restored in the 1980s.
[15]
[12]
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Antônio Lemos Palace (Palácio Antônio Lemos)
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1942
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Building
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Histórico; Belas Artes
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Headquarters of Belém City Hall, the building was designed in 1860 by José da Gama Abreu in the late neoclassical style. Afterwards, it was enlarged and modified by Giuseppe Landi. Giovanni Capranesi, Domenico de Angelis and Teodoro Braga decorated the interior at the beginning of the 20th century under the direction of Governor Antonio Lemos. In 1992, a restoration eliminated Landi's modifications and reinstated the building's original design.
[12]
[11]
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Pinho Mansion (Palacete Pinho)
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1986
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Building
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Histórico; Belas Artes
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Built at the end of the 19th century to house the family of Commander José de Pinho, the mansion is a representative example of the luxury residences that emerged in Belém during the economic heyday of the rubber cycle. The mansion has a U-shaped floor plan with an open courtyard and an
eclectic style, combining
Baroque influences and elements from 16th-century Italian palaces.
[12]
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Old Palace (Palácio Velho)
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1944
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Building
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Histórico; Belas Artes
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Originally inaugurated in 1680, the building was demolished in 1759 due to the poor state of conservation. It was rebuilt in 1767 according to a design by Giuseppe Landi. It has two floors, a central chamber and a facade with arched doors and windows.
[16]
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Zoobotanical Park of the Emílio Goeldi Museum of Pará (Parque Zoobotânico do Museu Paraense Emílio Goeldi)
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1994
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Historic garden
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Arqueológico, Etnográfico e Paisagístico; Histórico
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Designed by Emílio Augusto Goeldi, the park was established in 1895 to serve as a garden and zoo for the Emílio Goeldi Museum of Pará. It has undergone several renovations and extensions and used to house around 2,500 specimens of different animals in an area of 5.2 hectares.
[11]
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Baron of Guajará Manor House (Solar Barão de Guajará)
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1950
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Building
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Histórico; Belas Artes
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A Portuguese-inspired building with a tiled facade. The interior has a refined style and an internal courtyard of
Moorish influence. It currently houses the
Historic and Geographic Institute of Pará (Instituto Histórico e Geográfico do Pará) and the library of
Domingos Antônio Raiol, the Baron of Guajará, former owner of the residence.
[11]
[12]
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Peace Theater (Theatro da Paz)
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1963
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Building
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Histórico
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Designed by
José Tibúrcio Pereira Magalhães, the theater was built between 1874 and 1878. Over the following decades, renovations altered the neoclassical style of the facade in favor of eclecticism. The interior is adorned by the ceiling panel depicting
Apollo, painted by
Domenico de Angelis, and the
foyer decorated with regional
motifs.
[12]
[11]
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Gurupá
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Image
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Name
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Year of inclusion
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Type
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Livro do Tombo
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Information
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Fort of Santo Antônio do Gurupá (Forte de Santo Antônio de Gurupá)
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1963
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Building
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Histórico
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Fort was founded by
Bento Maciel Parente after the expulsion of the Dutch in 1623. It suffered several attacks between 1629 and 1639 and fell into ruins. It was rebuilt and enlarged by Governor
Antônio de Albuquerque Coelho de Carvalho in 1690, but was abandoned again. Only the stone wall, a house and part of the polygonal fortification remain from its last reconstruction.
[17]
[18]
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Vigia
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Image
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Name
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Year of inclusion
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Type
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Livro do Tombo
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Information
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Church of the Mother of God (Igreja da Madre de Deus)
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1954
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Building and collection
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Belas Artes
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Founded in 1731 by the Jesuits, the College of the Mother of God (Colégio da Mãe de Deus) was transformed into a temple in 1733. The building stands out for the sumptuousness of the internal decoration. It preserves the original construction lines and part of the sacred collection, including the canvases depicting the life of the
Mother of God and the 18th-century image of Christ.
[19]
[20]
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