Painting showing Goddess Lakshmi and a pair of Khyahs (foreground).Painting of a Khyah on a temple in Kathmandu.
Khyāh (
Nepal Bhasa:𑐏𑑂𑐫𑐵𑑅) (alternative spellings Khyā, Khyāk) (ख्याक) is a mythical humanoid creature in
Newari folklore. It is depicted as a fat, hairy and short ape-like creature.
Khyahs appear in children's stories popular in
Newar society. A friendly Khyah fills the home with goodness while bad ones bring trouble. A white Khyah is believed to bring good luck while a black one can create problems. Encountering a Khyah can make one ill.[1] Khyahs are said to tickle their victims to death.
In Newar culture, Khyahs attend to
Lakshmi, the goddess of wealth, and pictures of the deity show them guarding overflowing bags of coins.[2][3] Household Khyahs usually dwell in the attic and dark storerooms. They are said to fear electric lighting.[4]
The
antithesis of the Khyah is the Kawanchā, a skeleton.[5][6] Khyahs and Kawanchas appear as
supporting characters in sacred dance dramas of the Newars.[7][8] Images of Khyahs and Kawanchas are also placed at temples as guardians of the shrine.
Khyah dance
During the
Yenya festival in Kathmandu, dance performances are held at market squares and the Durbar Square where actors dressed in Khyah costumes give dance performances. The dances, known as Khyāh Pyākhan (ख्याः प्याखं), consist of antics and tumbling.
Types of Khyah
Bārāy Khyāh (बाराय् ख्याः) appears in rooms where girls are kept in seclusion during their rite of passage.[9]
Bhakun Gwārā Khyāh (भकुं ग्वारा ख्याः), literally football, rolls on the ground to move around.[10]
Dhāpalān Khyāh (धापलां ख्याः) is a very hairy Khyah.
Lanpan Khyāh (लँपं ख्याः) blocks people's way on dark streets.
Bun Khyāh : is the one who lives at crop field
In popular culture
This is a traditional children's song in
Newar about Dhāpalān Khyāh used in a
singing game:
Kune su wala?
Dhāpalān Khyāh.
Chhu yāh wala?
Bhoy nah wala.
Chhu bhoy?
Lākhāmari bhoy.
Ulin gāh lā?
Magāh.
कुने सु वल?
धापलां ख्या:
छु या: वल?
भोय न: वल
छु भोय्?
लाखामरि भोय
उलिं गा: ला?
मगा:
Who's there downstairs?
Dhāpalān Khyāh.
What has he come for?
To eat a feast.
What feast?
A sugar cookie feast.
Is that enough?
Not enough.
References
^Dietrich, Angela (1998). Tantric healing in the Kathmandu Valley: A comparative study of Hindu and Buddhist spiritual healing traditions in urban Nepalese society. Book Faith India.
ISBN8173031770, 9788173031779. Page 47.
^Nanzan Daigaku. Jinruigaku Kenkyūjo, Nanzan Shūkyō Bunka Kenkyūjo (1996). Asian folklore studies, Volume 55. Nanzan University Institute of Anthropology.
ISBN9057890984, 9789057890987. Page 266.
^Koizumi, Fumio (1983). Dance and music in South Asian drama: Chhau, Mahākālī pyākhan and Yakshagāna. Academia Music.
^Tambs-Lyche, Harald and Centre national de la recherche scientifique (France) (1999). The feminine sacred in South Asia. Manohar Publishers & Distributors.
ISBN8173042462, 9788173042461. Page 104.
^"Khyak dance". Nepalese Dances. Retrieved 20 July 2012.
^van den Hoek, A. W. (2004). Caturmāsa: celebrations of death in Kathmandu, Nepal. CNWS Publications.
ISBN9057890984, 9789057890987. Page 57.
^Gutschow, Niels and Michaels, Axel (2008). Growing Up: Hindu and Buddhist Initiation Rituals Among Newar Children in Bhaktapur, Nepal. Otto Harrassowitz Verlag.
ISBN3447057521, 9783447057523. Page 174.
^Dietrich, Angela (1998). Tantric healing in the Kathmandu Valley: A comparative study of Hindu and Buddhist spiritual healing traditions in urban Nepalese society. Book Faith India.
ISBN8173031770, 9788173031779. Page 47.