Dame Hilary Mary MantelDBEFRSL (/mænˈtɛl/man-TEL;[4] born Thompson; 6 July 1952 – 22 September 2022) was a British writer whose work includes historical fiction, personal memoirs and short stories.[5] Her first published novel, Every Day Is Mother's Day, was released in 1985. She went on to write 12 novels, two collections of short stories, a personal memoir, and numerous articles and opinion pieces.
Mantel won the
Booker Prize twice: the first was for her 2009 novel Wolf Hall, a fictional account of
Thomas Cromwell's rise to power in the court of
Henry VIII, and the second was for its 2012 sequel Bring Up the Bodies. The third installment of the Cromwell trilogy, The Mirror and the Light, was longlisted for the same prize.[6] The trilogy has gone on to sell more than 5 million copies.
Early life
Hilary Mary Thompson was born on 6 July 1952 in
Glossop, Derbyshire,[7] the eldest of three children, with two younger brothers, and raised as a Roman Catholic[8] in the
mill village of
Hadfield, where she attended St Charles
Roman Catholic Primary School.
Her parents, Margaret (née Foster) and Henry Thompson (a clerk), were both Catholics of Irish descent, born in England. When Mantel was seven, her mother's lover, Jack Mantel, moved in with the family. He shared a bedroom with her mother, while her father moved to another room. Four years later, when she was eleven, the family, except for her father, moved to
Romiley,
Cheshire, to escape the local gossip. She never saw her father again.[9]
When the family relocated, Jack Mantel (1932–1995)[10][11] became her unofficial stepfather, and she legally took his surname.[12][13] She attended
Harrytown Convent school in
Romiley, Cheshire.
In 1970, she began studies at the
London School of Economics to read law.[5] She transferred to the
University of Sheffield and graduated as a Bachelor of
Jurisprudence in 1973.[11] After university, Mantel worked in the social work department of a geriatric hospital and then as a sales assistant at
Kendals department store in Manchester.[14]
In 1973, she married Gerald McEwen, a
geologist.[15] In 1974, she began writing a novel about the
French Revolution, but was unable to find a publisher (it was eventually released as A Place of Greater Safety in 1992). In 1977 Mantel moved with her husband to
Botswana, where they lived for the next five years.[16] Later, they spent four years in
Jeddah,
Saudi Arabia.[17] She later said that leaving Jeddah felt like "the happiest day of [her] life".[18] She published memoirs of this period in The Spectator,[19] and the London Review of Books.[20][21]
Literary career
Mantel's first novel, Every Day Is Mother's Day, was published in 1985, and its sequel, Vacant Possession, a year later. After returning to England, she became the film critic of The Spectator, a position she held from 1987 to 1991,[22] and a reviewer for a number of papers and magazines in Britain and the United States.
Her third novel, Eight Months on Ghazzah Street (1988), drew on her life in Saudi Arabia. It features a threatening clash of values between the neighbours in a city apartment block to explore the tensions between Islamic culture and the liberal West.[23][24][25] Her
Winifred Holtby Memorial Prize-winning novel Fludd (1989) is set in 1956 in a fictitious northern village called Fetherhoughton, centring on a Roman Catholic church and a convent. A mysterious stranger brings about transformations in the lives of those around him.[26]
A Change of Climate (1994), set in rural
Norfolk, explores the lives of Ralph and Anna Eldred, as they raise their four children and devote their lives to charity. It includes chapters about their early married life as missionaries in South Africa, when they were imprisoned and deported to
Bechuanaland, and the tragedy that occurred there.[29]
An Experiment in Love (1996), which won the
Hawthornden Prize, takes place over two university terms in 1970. It follows the progress of three girls – two friends and one enemy – as they leave home and attend university in London.
Margaret Thatcher makes a cameo appearance in this novel, which explores women's appetites and ambitions, and suggests how they are often thwarted. Though Mantel used material from her own life, it is not an autobiographical novel.[30]
Her next book, The Giant, O'Brien (1998), is set in the 1780s, and is based on the true story of
Charles Byrne (or O'Brien). He came to London to earn money by displaying himself as a freak. His bones hang today in the Museum of the
Royal College of Surgeons. The novel treats O'Brien and his antagonist, the Scots surgeon
John Hunter, less as characters in history than as mythic protagonists in a dark and violent fairytale, necessary casualties of the
Age of Enlightenment. She adapted the book for
BBC Radio 4, in a play starring
Alex Norton (as Hunter) and
Frances Tomelty.[31]
In 2003, Mantel published her memoir, Giving Up the Ghost, which won the
MIND "Book of the Year" award. That same year she brought out a collection of short stories, Learning To Talk. All the stories deal with childhood and, taken together, the books show how the events of a life are mediated as fiction. Her 2005 novel, Beyond Black, was shortlisted for the
Orange Prize and longlisted for the Booker Prize in 2005.[32] Novelist
Pat Barker said it was "the book that should actually have won the Booker".[33] Set in the late 1990s and early 2000s, it features a professional
medium, Alison Hart, whose calm and jolly exterior conceals grotesque psychic damage. She trails around with her a troupe of "fiends", who are invisible but always on the verge of becoming flesh.[34]
The long novel Wolf Hall, about
Henry VIII's minister
Thomas Cromwell, was published in 2009 to critical acclaim.[35][36] The book won that year's
Booker Prize and, upon winning the award, Mantel said, "I can tell you at this moment I am happily flying through the air".[37] Judges voted three to two in favour of Wolf Hall for the prize. Mantel was presented with a trophy and a £50,000 cash prize during an evening ceremony at the
Guildhall, London.[38][39] The panel of judges, led by the broadcaster
James Naughtie, described Wolf Hall as an "extraordinary piece of storytelling".[40] Leading up to the award, the book was backed as the favourite by bookmakers and accounted for 45% of the sales of all the nominated books.[38] It was the first favourite since 2002 to win the award.[41] On receiving the prize, Mantel said that she would spend the prize money on "sex and drugs and rock' n' roll".[42]
The sequel to Wolf Hall, called Bring Up the Bodies, was published in May 2012 to wide acclaim. It won the
2012 Costa Book of the Year and the 2012 Booker Prize; Mantel thus became the first British writer and the first woman to win the
Booker Prize more than once.[43][44] Mantel was the fourth author to receive the award twice, following
J. M. Coetzee,
Peter Carey and
J. G. Farrell.[45][41] This award also made Mantel the first author to win the award for a sequel.[46] The books were adapted into plays by the
Royal Shakespeare Company and were produced as a
mini-series by
BBC.[46] In 2020 Mantel published the third novel of the Thomas Cromwell trilogy, called The Mirror and the Light.[47][48]The Mirror and the Light was selected for the longlist for the 2020 Booker Prize.[49]
In 2014, Mantel published a collection of 10 short stories, The Assassination of Margaret Thatcher, which The Guardian called a "flawed but absorbing selection" singling out the story Sorry to Disturb for praise.[50]The New York Times described the collection as having "narrators much more outwardly meek and inwardly turbulent than the murderous royals and puppeteers so beloved in her historical fiction".[51] The controversial title story is about an assassin who disguises himself as a plumber and takes over an apartment opposite the hospital where the Prime Minister is undergoing eye surgery. The woman who owns the apartment, and who is in effect a hostage, turns out to be surprisingly sympathetic to the assassin's cause.
In December 2016, Mantel spoke with Kenyon Review editor David H. Lynn on the KR Podcast[56] about the way historical novels are published, what it is like to live in the world of one character for more than ten years, writing for the stage, and the final book in her Thomas Cromwell trilogy, The Mirror and the Light.[56]
She delivered five 2017
Reith Lectures on
BBC Radio Four, talking about the theme of historical fiction.[57] Her final one of these lectures was on the theme of adaptation of historical novels for stage or screen. Mantel's lectures were selected by its producer, Jim Frank, as amongst the best of the long-running series.[58]
Personal life and death
Mantel married Gerald McEwen in 1973. They divorced in 1981 but remarried in 1982.[15] McEwen gave up geology to manage his wife's business.[59] They lived in
Budleigh Salterton, Devon.[when?][46]
During her twenties, Mantel had a debilitating and painful illness. She was initially diagnosed with a
psychiatric illness, hospitalised, and treated with
antipsychotic drugs, which reportedly produced psychotic symptoms. As a consequence, Mantel refrained from seeking help from doctors for some years. Finally, in
Botswana and desperate, she consulted a medical textbook and realised she was probably suffering from a severe form of
endometriosis, a diagnosis confirmed by doctors in London. The condition, and what was at the time a necessary treatment – a surgical
menopause at the age of 27 – left her unable to have children and continued to disrupt her life.[60] She later said "you've thought your way through questions of fertility and menopause and what it means to be without children because it all happened catastrophically". This led Mantel to see the problematised woman's body as a theme in her writing.[61] She later became
patron of the Endometriosis SHE Trust.[62]
Mantel died on 22 September 2022, aged 70, at a hospital in
Exeter from complications of a stroke that occurred three days earlier.[63][64]
In a 2013 speech on media and royal women at the
British Museum, Mantel commented on
Catherine Middleton, then the
Duchess of Cambridge, saying that Middleton was forced to present herself publicly as a personality-free "shop window mannequin" whose sole purpose is to deliver an heir to the throne.[65][66] Mantel expanded on these views in an essay, "Royal Bodies", for the London Review of Books(LRB): "It may be that the whole phenomenon of monarchy is irrational, but that doesn't mean that when we look at it we should behave like spectators at
Bedlam. Cheerful curiosity can easily become cruelty".[67]
These remarks stimulated substantial public debate. The Leader of the Opposition
Ed Miliband and Prime Minister
David Cameron both criticised Mantel's remarks, while
Jemima Khan defended Mantel.[68][69]Zing Tsjeng praised the LRB essay, finding the "clarity of prose and analysis is just incredible".[70]
Margaret Thatcher
In September 2014, in an interview published in The Guardian, Mantel said she had fantasised about the murder of the
British prime ministerMargaret Thatcher in 1983, and fictionalised the event in a short story called "The Assassination of Margaret Thatcher: 6 August 1983". Allies of Thatcher called for a police investigation, to which Mantel responded: "Bringing in the police for an investigation was beyond anything I could have planned or hoped for, because it immediately exposes them to ridicule."[71]
Comments on Catholicism
Mantel discussed her religious views in her 2003 memoir, Giving Up the Ghost. Brought up as a
Roman Catholic, she ceased to believe at age 12, but said the religion left a
permanent mark on her:
I took what I was told really seriously, it bred a very intense habit of introspection and self-examination and a terrible severity with myself. So that nothing was ever good enough. It's like installing a policeman, and one moreover who keeps changing the law.[72]
In a 2013 interview with The Daily Telegraph, Mantel stated: "I think that nowadays the Catholic Church is not an institution for respectable people. [...] When I was a child I wondered why priests and nuns were not nicer people. I thought that they were amongst the worst people I knew."[8] These statements, as well as the themes explored in her earlier novel Fludd, led the Catholic bishop
Mark O'Toole to comment: "There is an
anti-Catholic thread there, there is no doubt about it. Wolf Hall is not neutral."[73]