Francesco Maria Bazzani or Bassani (c. 1650 – c. 1700) was an Italian baroque composer.
Francesco was a member of the musical Bassani family, of whom
Giovanni Battista Bassani is the best remembered today. He is to be distinguished from another Francesco Maria Bassani two generations earlier (
fl. 1621), nephew of the
viola da gamba composer
Oratio Bassani, who kept a pedagogic notebook Regole di contrapunto, which contains eight pieces, seven of which are probably by his uncle Oratio.
Upon the death of his sister and her husband, a musician named Keller from Germany, Francesco adopted his nephew
Fortunato Chelleri and trained him as a musician.[2]
Works
Operas
Ottone il Grande (Parma 1670) is cited as an early example of an
opera seria where a minor comic character, in this case the servant Lenno, returns at the end of Acts 1 and 2 of the opera to enable a comic ballet to be performed.[3][4]
L'inganno trionfato overo La disperata speranza ravvivata ne' successi di Giacopo Quinto di Scozia e Maddalena di Francia, Parma (1673) libretto:
Oratio Francesco Roberti
References
^Francesco Saver QuadrioDella storia e della ragione d'ogni poesia, + indice universale 1744, p. 513
^Vassilis Vavoulis Keyboard music of Fortunato Chelleri 2000
^Lorenzo Bianconi, Giorgio Pestelli, Kate Singleton Opera on stage, p. 185
^Lorenzo Bianconi, Giorgio Pestelli Storia dell'opera italiana 1988, p. 185 "Per esempio, nell'allestimento dell 'Ottone in Italia del piacentino Francesco Maria Bazzani a Parma nel 1679 il servo Lenno, che nel corso del dramma compare in poche scene comiche di passaggio, ritorna alla fine dell'atto I e del II...