After completing her studies she moved to
Berlin, but settled in
Vienna in 1933. She became the first woman coach at
Bayreuth and worked as accompanist at the
Nuremberg Stadttheater am Ring and the
Darmstadt Hoftheater, and after 1924 at the
Berlin Städtische Oper. She died in Vienna of pneumonia.[4]
Works
Faltis composed for orchestra, chamber ensemble, instruments and chorus.
Sonata in B minor for piano (no Op., about 1909)
Piano Trio in D minor, Op. 1
Fantastic symphony for orchestra, Op. 2a
Hamlet symphonic poem, Op. 2b
Piano Concerto, Op. 3
Piano Trio in G minor, Op. 4
Andante and Slavic Dance, Op 5. (Op. 5 was counted twice)
Adagio for Violin and Piano, Op. 5 (Op. 5 was counted twice)
1. Volksweise (Folksong) - 2. Golka - 3. Rosentage (Days of Roses) - 4. Lied der Tänzerin (Song of the Dancer) - 5. Liebeslied (Love Song) - 6. Vigilie (Vigil) - 7. Nebel (Fog)
Anrufung: Welche Wege soll ich schreiten (Invocation: Which way should I proceed) for eight-part mixed chorus a capella, Text: Hans Ossenbach, Op. 9 (publ. 1929)
Six Songs for Voice and Piano, Op. 10 (publ. 1921)
1. Warum (Why) - 2. Komm heim (Come home) - 3. Hymne (Hymn) - 4. Libussa - 5. Die Ratlose (The Baffled One) - 6. An den Mond (To the Moon)
Two sacred songs, Op. 11
Fantasy and Double Fugue with "Dies Irae" for organ, Op. 12 (publ. 1922)
Six Gypsy Songs, Op. 13 (publ. 1921)
1. Auftrag (Order) - 2. Die Verliebten (The Lovers) - 3. Abschied (Farewell) - 4. Kolednika - 5. Bräutchens Garten (Bride Garden) - 6. Die Verlassene (The Abandoned)
String Quartet, Op. 13a
Mass with organ, Op. 13b
Two songs for voice and piano, Op. 14 (publ. 1931)
1. Traum (Dream) - 2. Der Kirschbaum (The Cherry Tree)
String Quartet, Op. 15
Lieder fernen Gedenkens (Songs of distant memory) for voice and piano, Op. post. (publ. 1939)
1. Unklarheit (Obscurity) - 2. Zeig mir dein wahres Bild (Show Me Your True Image) - 3. Sprich (Say) - 4. Heimkehr (Homecoming)