Eargasm | ||||
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Studio album by | ||||
Released | March 1976 | |||
Studio | United Sound Systems, Detroit; Muscle Shoals Sound Studios; Sundance Studios, Dallas | |||
Genre | R&B, soul | |||
Length | 34:45 | |||
Label | Columbia [1] | |||
Producer | Don Davis | |||
Johnnie Taylor chronology | ||||
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Eargasm is an album by the American R&B singer Johnnie Taylor, released in March 1976 on Columbia Records. [2] [3] The album contains " Disco Lady", which was a No. 1 pop hit for four weeks, and achieved the first platinum certification for a single, with two million copies sold. [4] Eargasm was Taylor's first album for Columbia Records, after many years spent recording for Stax. [5]
The album peaked at No. 5 on the Billboard 200; it spent two weeks at No. 1 on the Soul Albums chart, [6] [7] and peaked at No. 41 in Canada. [8] Taylor's most commercially successful album, Eargasm achieved gold status in 1980 and platinum status in 2001. [9] [10] [11] The album's second single, "Somebody's Gettin' It", was also a hit. [12]
The album helped Taylor earn the Southern Christian Leadership Conference's award for the 1976 "Entertainer of the Year". [13]
The album was produced by Don Davis. [14] Recorded in Dallas and Memphis, the backing musicians included Bernie Worrell and Bootsy Collins. [15]
The scholar Houston Baker contends that "Disco Lady" was among the first R&B singles to be advertised to white record buyers; this was part of a 1970s practice of major labels signing veteran black musicians, and then focusing on crossover hits rather than career growth. [16] [17]
Review scores | |
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Source | Rating |
AllMusic | [18] |
Robert Christgau | C+ [19] |
The Encyclopedia of Popular Music | [20] |
The Rolling Stone Album Guide | [21] |
Robert Christgau thought that "Taylor's commitment to the traditional soul style remains unimpeachable even when he accedes to material as modish as the likable but lightweight 'Disco Lady'." [19]
AllMusic deemed "Disco Lady" "the song of year", writing that "the rest of the album was standard soul, but this was overlooked in the rush". [18] The Rolling Stone Album Guide determined that "the songwriting is nowhere near as punchy or pointed as on the Stax records; however, Taylor throws down some heavy gospel-style testimony." [21]
The Dallas Observer, reviewing the album's 1999 rerelease on compact disc, called it "a wonderful record ... full of la-de-de, la-da-dum-da choruses and it-don't-hurt-me verses; the man could sing about infidelity and made it signify even among the most faithful." [15] The Fort Worth Star-Telegram concluded that "Taylor had the good sense to mix strings with the sort of horn-based soul that made him a star on Stax in the '60s and come up with a Memphis/Detroit/Philadelphia hybrid." [22] Music Week wrote that "the album is full of classy urban ballads and tidy midtempo grooves, with only 'It Don't Hurt Me Like It Used To' in true disco tempo." [23]
No. | Title | Writer(s) | Length |
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1. | " Disco Lady" | Albert James Vance, Don Davis, Harvey Scales | 4:25 |
2. | "Please Don't Stop (That Song from Playing)" | Don Davis | 2:55 |
3. | "Don't Touch Her Body (If You Can't Touch Her Mind)" | Don Davis | 3:13 |
4. | "I'm Gonna Keep On Loving You" | Don Davis, Richard Morris | 4:00 |
5. | "You're the Best in the World" | Norma Toney | 3:18 |
6. | "Running Out of Lies" | Perry Jordan | 4:50 |
7. | "Somebody's Gettin' It" | Chico Jones, Clarence Coulter, Don Davis | 4:01 |
8. | "It Don't Hurt Me Like It Used To" | Herbert Ross, Perry Jordan | 3:13 |
9. | "Pick Up the Pieces" | Don Davis, Fred Briggs, Kent Barker | 4:50 |
Total length: | 34:45 |
Chart (1976) | Peak position |
---|---|
Canada Top Albums/CDs ( RPM) [24] | 41 |
US Billboard 200 [6] | 5 |
US Soul Albums ( Billboard) [25] | 1 |
Region | Certification | Certified units/sales |
---|---|---|
United States ( RIAA) [26] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |