Kojo Marfo (born 1980) is a Ghanaian visual artist known for his Afro-Expressionist style, currently based in London. Marfo’s artistic journey began in his childhood in the Kwahu region of Ghana, where he was influenced by traditional Akan artifacts, sculptures, and carvings. These cultural elements continue to play a significant role in his work, providing a foundation for his artistic expression. [1] [2] [3]. [4] [5]
Marfo’s art blends traditional African art with contemporary techniques, resulting in figurative abstractions that address social issues such as inequalities, religion, politics, and spiritualism. His paintings are characterized by vibrant colors and symbolic compositions, often reflecting a confluence of reality and imagination. [1] Influenced by artists such as Ibrahim El Salahi, Wilfredo Lam, Fernand Léger, and Pablo Picasso, Marfo incorporates elements of narrative and universal human emotion into his work. [2] Marfo’s works, such as those displayed in his "Dreaming of Identity" exhibition at JD Malat Gallery, demonstrate his ability to blend traditional Akan forms with contemporary themes, creating a unique visual language. [6]
"Crucible of Hope" at the Heydar Aliyev Centre, Baku, Azerbaijan (2024) [7]
"Journeys - 'On Paper'" at JD Malat Gallery, London, UK (2024) [7]
"Africa Supernova" at Kunsthal KAdE, Amsterdam, Netherlands (2023) [2]
"Gatekeepers of Heritage" at JD Malat Gallery, New York City, USA (2022) [4]
"Dreaming of Identity" at JD Malat Gallery, London, UK (2021) [6]
"Isolation Mastered" at JD Malat Gallery, London, UK (2020) [4]
Marfo’s art is included in notable collections, such as the Museu Inima de Paula in Belo Horizonte, Brazil. [1]
Marfo’s collaboration with JD Malat Gallery has been instrumental in bringing his work to a wider international audience. The gallery discovered Marfo’s work during the Covid-19 pandemic and has since showcased his art in various prestigious venues. The "Crucible of Hope" exhibition at the Heydar Aliyev Centre in Baku, designed by renowned architect Zaha Hadid, exemplifies the international reach and resonance of Marfo’s work. This retrospective featured a diverse range of works illustrating his unique approach to figuration, heavily drawing from Akan iconography and material culture. [7] [4] [1]
Marfo’s work is deeply personal, reflecting his Akan culture and experiences living in the West. He seeks to create a connection with people from diverse backgrounds, encouraging them to reflect on their own lives and their place in the broader world. [2] Despite early career challenges, Marfo has established himself as a prominent figure in contemporary art, showcasing resilience and dedication to his craft. [4]
In interviews, Marfo has discussed societal pressures and expectations, themes prevalent in his work. He believes that artists have a duty to reflect society and challenge the status quo, acting as gatekeepers who can protect against corruption and inspire societal progress. [2]
[1] [2] [3] [4] [5] [6] [7] [8] [9] [10]