Hugo Heyrman (born 20 December 1942), known by his
artist nameDr. Hugo Heyrman, is a leading
Belgian painter, filmmaker, internet pioneer, synesthesia and
new media researcher.[1]
Early life and education
Dr. Hugo Heyrman was born in
Zwijndrecht, he lives and works in Antwerp. Originally, Heyrman opted for a musical education, but transferred to the visual arts. He graduated from the Royal Academy and became a laureate of the
National Higher Institute for Fine Arts in Antwerp. In addition, he studied nuclear physics during one year at the State Higher Institute for Nuclear Energy in
Mol. He received a Ph.D. in art sciences, magna cum laude, from the
Universidad de La Laguna, in
Tenerife with a thesis on Art & Computers: an exploratory investigation on the
digital transformation of art.[2]
Career
From his earliest work, Heyrman developed a specific vision on the nature of
perception. "Most of my work has to do with contemporary fragility. The works are 'ways of seeing', forms of
visual thinking, they make the virtual and mental space of an image real", he declares in his website. His art practice includes
painting,
drawing,
sculpture,
photography,
video,
film and
digital media. In his website 'Museums of the Mind' he continues to publish his research, theory and experiments on the
telematic future of art, the
senses and
synaesthesia.
During the sixties, Heyrman profiled himself as an avant-garde artist with
happenings,
film- and
video experiments.[3] Online since 1995, Heyrman became one of the pioneers in Net.art.[4] He also participated in 1988 at the 'First International Symposium on Electronic Art' (FISEA) in Utrecht.
In 1995, Heyrman coined the terms "tele-synaesthesia"[5] and "post-ego".[6] Since 1993 he is a working member of the
Royal Flemish Academy of Belgium for Science and the Arts, Brussels. As of 2006 he was a professor at the Royal Academy for Fine Arts, Antwerp.
Projects
Continental Video & Film Tour with his 'Mobile Museum of Modern Media' through Belgium, Germany, France and the Netherlands. (1970–73)[7]
'Street-life'
paintings. Elected laureate of the 'Jeune Peinture Belge' at the Palais des Beaux-arts, Brussels (1974).[8]
Monumental painting series on 'Water', 'Light', 'Time', 'A Vision is Finer than a View' and 'New Models of Reality', which Heyrman describes as painting the existential tension between ideas and images; an appeal to several senses at once,[9] and [10]
Fuzzy Dreamz series, a work in progress since 1996, which Heyrman describes as the transformation of his painting experiences into digital media and vice versa.[11]
Various
Internet art projects, including the online exhibitions, Digital Studies: Being In Cyberspace 'ALT-X-site' (1997) New York and 'Revelation' ISEA 2000, Paris.[12]
His works have been presented in major international exhibitions ranging from Antwerp, Brussels, Basel, Amsterdam, Paris, Barcelona and Chicago to the
Venice Biennale.[13][14]
^In 1997, Heyrman participated at "Digital Studies: Being In Cyberspace". A landmark exhibition of new media art and theory, the first-ever online net art exhibition was organized by Mark Amerika and Alex Galloway,
http://altx.com/ds/index2.html See also: Histories of Internet Art: Fictions and Factions - Curation Sites,
https://art.colorado.edu/hiaff/curationSites.html
^Buyck, F. Jean, Hugo Heyrman ‘Pictor Ecologicus’. Originally published as introduction to the retrospective exhibition of Hugo Heyrman’s paintings in the Antwerp Royal Museum of Fine Arts (1984, October 13 - December 9).
Translated from Dutch by Joris Duytschaever.
http://www.doctorhugo.org/paintings/bibliography/pictorecologicus.html
^Popper, Frank. From Technological to Virtual Art. Cambridge, Mass.: MIT Press, 2005. 504 pp.; 154 b/w ills.
ISBN0-262-16230-X
^Celant, Germano, The 47th Venice Biennial International Art Exposition "La Biennale di Venezia, Past Present Future", Venice, catalogue: 700pp, Pub. Date: July 1997. Publisher: Electa
ISBN88-435-6152-9