1965/66 Fellowship by Institut Français for the École des Beaux Arts Paris. 1967 The German National Merit Foundation (Studienstiftung des Deutschen Volkes). 1968-69 USA Fellowship by German AcademicExchange Service(DAAD); 1977 Artist-in- Residence at”The MacDowell Colony”, Peterborough/ NH, USA. 1978 Artist-in-Residence at”Yaddo”, Saratoga Springs, New York; Grant by Cabin Greek Center for Work and Environmental Studies, New York. 1983 Artist-in-Residence grant, Museum of Holography New York. 1985-86 Rockefeller-Fellow at the Center for Advanced Visual Studies, MIT; Grant by the Council for the Arts MIT. 1988 and 2003 Award by the Shearwater Foundation, USA.
Jung's first academic post was a guest professorship in 1975 at
Universidade Federal da Bahia,
Salvador, Brazil. In 1977 he realized his initial holograms "Feathers" at the New York School of Holography (conducted by
Sam Moree and
Dan Schweitzer). He developed 1977 in collaboration with Donald White from
Bell Laboratories in his garage in
New Jersey the technical requirements for the first holographic poem, "Hologramm". From 1982 until 1985 he explored with
Jody Burns (Holoplate, New Jersey) the efficiency of One-step Rainbow Holography. He created the series "Into the Rainbow", "Present Space" and "Different Space".
1990/91 Jung acted as a member of the founding council at the
Academy of Media Arts in
Cologne where he served as a professor for creative
holography and
light art until 2007. From 1992 to 1996 he was a member of the board of trustees of the
Center for Art and Media/ZKM in Karlsruhe. In 1996 he directed the international conference and exhibition "Holographic Network: A Visual Journey between Art, Science and Technology" at the
Academy of Arts, Berlin.
In 1997–99 he served as a member of the MIT Advisory Council on Art-Science-Technology. The development of Holokinetic
Mobiles, HoloMobiles XYZ and TransOptical (
Transformation optics) Mobiles is since 1998 one of his fields of activities, as well as the development of Floor Holograms and the research into interactive
laser installations since 2002. Oraculum; Light installations: "Strings", "Light in Flight" and "Loops", holographic "TimeCapsules". Since 2010 member of the academic board of advisors of
ZERO foundation in
Düsseldorf. 2011 member of the International
György Kepes Society in Hungary. Since 1970 Jung participated in numerous lectures, workshops and exhibitions throughout the world.
The development of
Holokinetic Sculptures "
Perpetuum Mobile", HoloMobiles XYZ and TransOptical Mobiles, animated by the
kinetic sculptures of
Alexander Calder and
George Ricky, became since 1998 extended fields of his involvement. After the elaboration of Floor Holograms and interactive Laser installations ("Oraculum – for two lasers and three canvases") he continued creating a variety of Light-works "Strings", "LightFlight", "Loops", holographic "Time Capsules" and the "
Particle wave" prints, hence revealing and extending a different perception of motion in space, light and colours.
In 2010 he became a member of the academic board of advisors (now
think tank) of
ZERO foundation in Düsseldorf, and in 2011 he joined the International
György Kepes Society in
Hungary. Since 1970 Jung has participated in numerous conferences, workshops and exhibitions throughout the world.
Dieter Jung is one of the pioneers in holographic art. This art, apart from being a form of optical illusion, constitutes a specific phase in the history of Light Art. Illusionist tendencies exist in art since the earliest times and were at certain periods even considered as forming an integral part of Western art. As to the luminous phenomenon with its curious ambiguity between presence and absence it is at the heart of all holographic art and can be compared to our perception of the stars whose physical presence has been superseded by the luminous wave which reaches our eye long after having been emitted. The aesthetics of absence has been the privilege of the mystics of all times, but its metaphysical side is counterbalanced by its scientific connotation in the area of holographic art.
"One of the pioneers in holographic art" (excerpt) written by
Frank Popper, Paris 2008 for the exhibition "Invisible-Visible" of Dieter Jung,
Today Art Museum Beijing—
full text
1984 Holography in Art,
Hong Kong Arts Center, Hong Kong; Pinturas – Desenhos – Hologramas, Museu de Arte de São Paulo, Brazil.
1985 Dieter Jung – Hologrammeja/Piirroksksia/Maalauksia, Näyettey Kluuvin Galleria,
Helsinki, Finland; Dieter Jung, Musée de Québec,
Quebec City, Canada;
Art Basel; Museum of Holography, New York; Dieter Jung-Installation, Museum of Holography, New York, N.Y., USA
2003 Kun Shan University,
Tainan, Taiwan POC; Dieter Jung – Anders als man denkt, Museum im Kulturspeicher,
Würzburg, Germany; Kunst-Museum in
Ahlen, Germany; Kunstmuseum Heidenheim,
Heidenheim, Germany; Dieter Jung, Virtual Images, Kun Shan University,
Tainan, Taiwan
2004 Dieter Jung, Hologram Works-The extended Space to
Dénes Gábor, Ateliers Pro Arte, Budapest, Hungary
2006: Museum of Contemporary Art /ZKM, Karlsruhe, Germany; Entry Gate, Museum of Contemporary Art, Shanghai, China; Motion in a Square, Museum Ritter,
Waldenbuch, Germany
2007: Remote Control, Museum of Contemporary Art Shanghai, China
2009: Museo Alejandro von Humboldt,
Havana, Cuba; Animamix, Today Art Museum, Beijing, China
2010: Animamix, Guangdong Art Museum, Guangzhou, China; Luminous Windows, MIT Museum, Cambridge, MA, USA; The Year We Make Contact,
Media Scape, HDLU Croatian Association of Artists,
Zagreb, Croatia
2011: Future Pass, 54th
Biennale di Venezia, Abbazia di San Gregorio, Venice, Italy
“Transcript“ in Artists Today, Marg Publications,
Bombay 1987; “Holographic Space“ in
Leonardo (journal), vol. 22, no 3/4,1989; Jung / Pepper “Creative Holography: Its Development in the Academy of Media Arts Cologne“ in SPIE Proceedings, vol. 1600,1991; “Bildräume der Holographie“ in Kultur und Technik im 21. Jahrhundert, edited by G. Kaiser, Frankfurt and New York 1993; “L´Espace Holographique“ in La science et la métamorphose des arts, Nouvelle Encyclopédie Diderot, Paris 1994; “Luz na Arte / Arte da Luz“ in exhibition catalogue, Goethe-Institut Salvador, Brazil1995; “Ein Kubikmeter Licht“ in
Otto Piene, Kunst die fliegt, edited by H. Stachelhaus,
DuMont Schauberg Köln 1998; “Holes in Sky“ in
Sky Art, edited by Kracke/Knott, Center for Advanced Visual Studies and MIT, Cambridge 2005. “As I see it - The absence of darkness”, Advances in
Display Holography, edited by Hans Bjelkhagen, River Valley Press, England 2006. Otto Piene, by Ante Glibota, Delight Edition, 2011.
ISBN978-988-19-5322-3. The Transfer of Technology, Interview in ArtToday, Vol.12, Beijing 2009. The Perceptual Holograms of Dieter Jung, by Jeno Lu in Zhai Bao Rong Contemporary Art (Vol.6), Singapore/Beijing 2010.
On Dieter Jung
Books
Experiment Design by Igildo Biesele, Zürich 1986; Holographie by
Peter Zec, DuMont Köln 1987; Dieter Jung – Hologrammes, Dessins, Peintures by
Ante Glibota, Paris Art Center, Paris 1989; Dieter Jung – Bilder, Zeichnungen, Hologramme, Köln 1991; Art in the electronic Age by
Frank Popper, London and Paris1993; Dieter Jung-Anders als man denkt by Marianne Lauter, Würzburg 2003; Dieter Jung -The Garden of Light by Fang-Wei Chang, Taipei 2005. Dieter Jung- The Passion of Light, by Chen Qibin, Shanghai 2006. Two Asias-Two Europes, by Gu Zhenqing, Timezone 8, Shanghai; LightArt from Artificial Light by
Peter Weibel/Jansen, ZKM Publications: Entry Gate. Chinese Aesthetics of Heterogeneity by Samuel Kung, MoCA Shanghai; Dieter Jung- The Passion of Light, by Chen Qibin, Zendai Museum of Modern Art Shanghai; Motion in Square, by
Museum Ritter/ Gerda Ridler, Heidelberg. Remote/Control by Samuel Kung, Museum of Contemporary Art, Shanghai 2007; Dieter Jung-Looking Foreword by S. Zhao, Beijing 2007. Dieter Jung – Phases/Faces by Oroom Gallery, Seoul 2008; Dieter Jung, Invisible/Visible by Dai Dongmei / Chen Aier, Beijing 2008; Dieter Jung, Flying Colors-Moments of Seeing, OCT Gallery, Shenzhen 2010. The Perceptual Holograms of Dieter Jung, by Jeno Lu in Zhai Bao Rong Contemporary Art (Vol.6), Beijing 2010.