Cherie Dimaline (/ʃəˈriˈdɪməlaɪn/) is a Canadian writer who is a member of the Georgian Bay Métis Council of the
Métis Nation of Ontario. She has written a variety of award-winning novels and other acclaimed stories and articles. She is most noted for her 2017
young adult novelThe Marrow Thieves, which explores the continued colonial exploitation of Indigenous people.
In addition to The Marrow Thieves, Dimaline has won the award for Fiction Book of the Year at the Anskohk Aboriginal Literature Festival for her first novel, Red Rooms. She has since published the short stories "Seven Gifts for Cedar", the novel The Girl Who Grew a Galaxy, and the short story collection A Gentle Habit. She is the 2019 editor of Little Bird Stories (Volume IX), published by Invisible Publishing and featuring winners of the annual Little Bird Writing Contest run by
Sarah Selecky Writing School.[1]
Her latest novel, VenCo, was published in 2023.[3]
Biography
Dimaline was originally a resident of a
Métis community in the
Georgian Bay area. She now resides in the city of
Toronto.[4] Her childhood summers were spent back in her Métis community.[5] During the time spent back home, Dimaline learned stories from her family that she was then able to pass onto her cousins.[6][5] Growing up, she worked as a magician's assistant. From then on, Dimaline worked a variety of jobs, being employed as a curator for a museum, high-level manager for an investment company, and a director of a women's resource center.[5]
In addition to her own authorship, Dimaline has contributed to a variety of projects including the anthology Mitêwâcimowina: Indigenous Science Fiction and Speculative Storytelling published in 2016.[7] Dimaline was also a columnist and editor for Chatelaine magazine in the early 2000s, writing a variety of articles for the magazine.
Dimaline considers herself exclusively a Métis or
Indigenous writer, saying "I would love to be recognized as a writer of Indigenous stories. I'm not a
Canadian writer. This is what is now known as Canada; it means something different to and for me."[8][9]
Community involvement
Dimaline has participated in numerous literary festivals, including Kingston WritersFest (2016),[10] Toronto International Festival of Authors (2016, 2018, 2019),[11] Ottawa Writers Festival (2017, 2018, 2019, 2023),[12] Wordfest Imaginairium (2019, 2023), [13] and the Vancouver Writers Festival (2020, 2021, 2023). [14]
In 2014 Dimaline was named the Emerging Artist of the Year at the Ontario Premier's Awards for Excellence in the Arts.[16]
The Marrow Thieves has earned Dimaline a number of literary awards; for an extensive list see,
The Marrow Thieves, Awards. It won the
Governor General's Award for English-language children's literature at the
2017 Governor General's Awards and the 2017
Kirkus Prize in the young adult literature category, and it was a finalist in the CBC's 2018
Canada Reads competition and the 2018
White Pine Award. Notably, Dimaline's acceptance speech for the 2017 Governor General's Award for English Young Adult Fiction was delivered by her friend, the artist
Susan Blight in
Anishinaabemowin. Dimaline said about the event, "I wrote the speech and she [Blight] delivered it without translation…"[17] This was the first time an acceptance speech for the Governor General's Award had been delivered in a language other than English or French.
The Marrow Thieves has been widely acclaimed for its portrayal of Indigenous colonization and ecological devastation.[19] The book has been lauded for its ability to crossover from YA fiction to adult fiction,[20] especially as it was defended by
Jully Black as a finalist in the 2018 Canada Reads competition.[21] Dimaline's novels have also been discussed in academia, notably by Niranjana Iyer[22] and Petra Fachinger.[23]
^Iyer, Niranjana (2019). "The Importance of Dreams: Cherie Dimalines Dystopic Novel, The Marrow Thieves, is a Reconciliation Wake-up Call". Herizons. 32: 29–33 – via Gale Onefile.