Alexandra Lilah Denton (also known as Aleksandra Lilah Yakunina-Denton, born 17 June 1988),[5][6][7] known professionally as Shura, is an English singer, songwriter and record producer. She is known for her work in the genres of
electropop and
synth-pop.
Career
2011–2016: Nothing's Real
During night shifts at her workplace (a video editing facility), she watched YouTube tutorial videos on how to use music production software.[8][9] Her single "
Touch", co-produced with
Joel Pott of
Athlete, drew positive notice from internet blogs during early 2014; its music video was co-directed and edited by Shura herself.[1][8][10] Two other singles, "Just Once" and "Indecision", followed the same year, and Shura produced a remix of
Jessie Ware's single "
Say You Love Me".[11][12][13][14] Shura was longlisted in the
BBC Sound of 2015 poll.[15] Shura is also signed to
Universal Music Publishing Group in the United Kingdom.[16] She released the single "2Shy" in March 2015, followed by "White Light" and a performance film titled Three Years in June 2015.[17][18][19] An EP titled White Light was released in the United States in July.[20] The same year, Shura performed at music festivals including
Bestival,
Festival N°6, and
Latitude.[19]
In December 2014 she was named as one of the nominated acts on the longlist for the
BBC music poll
Sound of 2015.[21]Mumford & Sons have covered her song "2Shy".[22]
Shura's "Touch" was released on 18 February 2016 alongside a version featuring Talib Kweli.[23] The Original Mix was released on
Record Store Day 2016 as a limited 12" single featuring remixes from Canvas and Delorean.[24]
In 2019, she made a comeback after three years of silence, when she collaborated with British musician Tourist on the song "Love Theme", which was released on Valentine's Day through his second album Everyday. Tourist explained that the song was a concept originally written by Shura and had a piano demo that was sent to him by her with the lyrics "I don't want to be the centre of attention, but I want your love". The following month, Shura announced her comeback single, entitled "BKLYNLDN", alternatively titled "Brooklyn London". It was premiered by
Phil Taggart on
BBC Radio 1 on 10 March 2019 where it was revealed as the "Chillest Record".
Shura's album Forevher was released on 16 August 2019 via
Secretly Canadian. Shura announced the album on 12 June 2019 with the release of single "Religion (U Can Lay Your Hands on Me)".[26]
In a November 2019 interview with The Guardian, former
Spice Girls member
Melanie C revealed that she has been working on her eighth studio album with Shura.[27]
On 16 March 2020, Shura released the single "elevator girl" featuring the Philadelphia rapper
Ivy Sole.[28] She released an alternate version titled "elevator girl (Space Tape Edit)" on 22 May 2020.[29] On 19 July 2023, Shura was featured on the single "Call Me A Lioness", released in celebration of the
2023 FIFA Women's World Cup. The single also featured
Olivia Dean,
Melanie C,
Marika Hackman among others.[30]
Personal life
Shura was born in
Hammersmith, London, and grew up in
Manchester.[31] Her mother is a Russian actress and her father is an English documentary filmmaker.[1] Her parents divorced when she was three.[32] Shura has two brothers, including a twin, Nicholas, who has starred in three of her music videos: "
Touch", "White Light" and "What's It Gonna Be?".[33][34] She began playing the guitar when she was 13 years old and started recording music at 16.[35][36] Shura had been a promising
footballer in her youth and played for
Manchester City from under 11 to under 16 level, despite being a
Manchester United fan.[37]
Shura is an out
lesbian and an
atheist, despite a long-standing fascination with religion.[38][39][40] In summer 2014 she experienced a severe panic attack, which she described as "feel[ing] like I [was] dying."[32] Her stage name comes from a short form of her first name in Russian, a language Shura is fluent in.[32]
Artistry
Shura's music has been described as "infectious but melancholy electropop"[39] as well as "slow-burning synth-pop" but has said that pop music "didn't represent" her.[34] The singer has said that "missed opportunity, regret, nostalgia" are some of the main themes in her work.[34]